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Exploring Marks, Forts, and Confessions in Art: The Meaning of Space and Place

This exploration delves into the significance of mark-making in art, examining how various artists like William Kentridge, Ellen Gallagher, and Marina Abramović engage with space and memory. Through a series of thought-provoking questions, we consider how marks define our surroundings and impact our relationship with everyday materials. The dialogue extends to the conceptual nature of mark-making and how interactions within built environments can create intimate moments of connection and understanding. Join us in reflecting on how art transforms our perception of space and place.

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Exploring Marks, Forts, and Confessions in Art: The Meaning of Space and Place

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Presentation Transcript

  1. marks, forts & confessions art making and the construction of space and place

  2. Marks marking space/marking within space William Kentridge Ellen Gallagher Alejandro Casazi Thomas Baumgartel

  3. Mark making • What does it mean to mark with paint/ print/ charcoal? • An anecdote about de Kooning

  4. William Kentridge • http://www.youtube.com/watch?v=DpamsEdCbX8&feature=related

  5. Ellen Gallagher

  6. Alejandro Casazi

  7. Thomas Baumgartel

  8. question • How do you think mark making can be conceptual? • What spaces do you see around you that are defined by the marks they carry?

  9. Fortsa room within a room/space as memory, light, and economy Do-Ho Suh Ernesto Neto Carlos Cruz Diez Keith Haring (Pop Shop)

  10. Do-Ho Suh • http://video.pbs.org/video/1237715781

  11. Ernesto Neto

  12. Carlos Cruz Diez

  13. Keith Haring (Pop Shop)

  14. question • How do the ways that those artists constructed their spaces…their forts…change your relationship to seemingly everyday material and rooms?

  15. Confessionsexpandingimmaterial spaces/ritual and remembering Marina Abramović Gabriel Orozco Rachel Whiteread Tracy Emin

  16. Marina Abramović

  17. Tracy Emin

  18. Rachel Whiteread

  19. Gabriel Orozco http://video.pbs.org/video/1237723563

  20. question • How does your engagement with the built environment constitute an “event”? • By that I mean, how are you creating a moment within which you are asking others to encounter ideas that are not their own. How do you set up the relationship between yourself and the viewer? Is there intimacy there?

  21. End. • End. 

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