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Romeo and Juliet

Romeo and Juliet. Capulet, Montague, or Neutral?. ABRAM. ABRAM = MONTAGUE. Capulet, Montague, or Neutral?. BALTHASAR. BALTHASAR = MONTAGUE. Capulet, Montague, or Neutral?. BENVOLIO. BENVOLIO = MONTAGUE. Capulet, Montague, or Neutral?. FRIAR JOHN. FRIAR JOHN = NEUTRAL.

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Romeo and Juliet

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  1. Romeo and Juliet

  2. Capulet, Montague, or Neutral? ABRAM

  3. ABRAM = MONTAGUE

  4. Capulet, Montague, or Neutral? BALTHASAR

  5. BALTHASAR = MONTAGUE

  6. Capulet, Montague, or Neutral? BENVOLIO

  7. BENVOLIO = MONTAGUE

  8. Capulet, Montague, or Neutral? FRIAR JOHN

  9. FRIAR JOHN = NEUTRAL

  10. Capulet, Montague, or Neutral? FRIAR LAWRENCE

  11. FRIAR LAWRENCE = NEUTRAL

  12. Capulet, Montague, or Neutral? GREGORY

  13. GREGORY = CAPULET

  14. Capulet, Montague, or Neutral? PETER

  15. PETER = CAPULET

  16. Capulet, Montague, or Neutral? JULIET

  17. JULIET = CAPULET

  18. Capulet, Montague, or Neutral? MERCUTIO

  19. NEUTRAL

  20. Capulet, Montague, or Neutral? NURSE

  21. NURSE = CAPULET Just like Friar Lawrence, the Nurse in the exposition of the play is clearly aligned with just one family – in this case the Capulets – but later does things to assist a member of the other family as well. In the end, though, she’s a Capulet through and through, telling Juliet she should just “marry with the County.”

  22. Capulet, Montague, or Neutral? PARIS

  23. PARIS = CAPULET

  24. Capulet, Montague, or Neutral? PRINCE ESCALUS

  25. PRINCE ESCALUS = NEUTRAL

  26. Capulet, Montague, or Neutral? ROMEO

  27. ROMEO = MONTAGUE

  28. Capulet, Montague, or Neutral? SAMPSON

  29. SAMPSON = CAPULET

  30. Capulet, Montague, or Neutral? TYBALT

  31. TYBALT = CAPULET

  32. In the prologue before Act I, Romeo and Juliet are referred to as . . .

  33. Romeo and Juliet meet …

  34. As the play opens, Romeo is sad because . . .

  35. The nurse functions as . . .

  36. The Friar agrees to marry Romeo and Juliet because . . .

  37. Tybalt becomes furious at Romeo when he . . .

  38. When Mercutio says, “’tis not so deep as a well, nor so wide as a church door…,” he is referring to . . .

  39. “’Tis not so deep as a well, nor so wide as a church door, but ‘tis enough. ‘Twill serve. Ask for me tomorrow, and you shall find me a grave man.” How many literary devices can you find in these lines?

  40. Mercutio fights with Tybalt because . . .

  41. Mercutio is stabbed when . . .

  42. Romeo’s treatment of the mortally wounded Paris demonstrates . . .

  43. Juliet gets her poison from __________ and Romeo gets his from __________.

  44. Juliet’s life ends when she . . .

  45. Balthasar is Romeo’s . . .

  46. To which city does Romeo go after being banished, and why was he exiled?

  47. Who convinces Romeo to attend the masquerade ball at the Capulets?

  48. What does the lark represent?

  49. What bird represents the night?

  50. Who first finds Juliet after she takes the potion that will make her appear dead?

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