1 / 22

Romancing with Death in Hollywood

Romancing with Death in Hollywood. Paul T. P. Wong, PhD, Professor Department of Psychology, Tyndale University College Date: August 7, 2009. Abstract.

salena
Télécharger la présentation

Romancing with Death in Hollywood

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Romancing with Death in Hollywood Paul T. P. Wong, PhD, Professor Department of Psychology, Tyndale University College Date: August 7, 2009

  2. Abstract The presentation discusses the portrait of death and dying in Hollywood films. A meaning-management theory was proposed to account for death acceptance. The paper identifies 7 pathways of death acceptance in films. It concludes that meaning offers the best protection against death fear and the best promise of hope beyond death.

  3. An overview • Death and dying as an important topic • Death denial vs. death acceptance • Cinema as an educational tool • Seven pathways of death acceptance

  4. The importance of death & dying • Death is universal • We are scared to death about death • The end impacts us more than the beginning & everything in between • Dying well is the last frontier of positive psychology

  5. Different death attitudes • Fear of death • Avoidance of death • Neutral death acceptance • Approach death acceptance • Escape death acceptance

  6. The Psychology of Death • Terror management theory: Focusing on death denial & avoidance • Meaning management theory: Focusing on death acceptance & approach • Defensive vs. purposeful orientation (Existential & Spiritual Issues in Death Attitudes (2008) edited by Tomer, Eliason, & Wong. Published by Francis & Taylors)

  7. Dual-system model • The approach system – life expansion and processes of personal growth • The avoidance system – life protection and defensive mechanisms • The duality hypothesis of coping with death and dying

  8. Cinema as an educational tool • It reflects life & popular culture • Its aesthetic power of beauty • Its evocative power of imagination • Its narrative power of story telling • Its instructive power of inspiring virtue • Its mystical power of transcendence

  9. A two-factor theory of cinema • Dream-making: Entertainment thru aesthetic & emotional appeal (escape from reality) • Myth-making: Enlightenment thru moral & spiritual appeal (confront and transcend reality)

  10. Romanticism in death & dying films • Individual’s heroic response to tragedy • Sentimentality: tension & relief, feel-good & break your heart • Virtues of courage, passion for living and self-sacrifice • Transcendental and spiritual aspects of human existence

  11. Criteria for selection of films • Focusing on death acceptance • Exploring the deep dark realities of death and dying • Showing the triumphant human spirit in the face of danger, suffering & death • Showing sparks of love & goodness in the midst of atrocity & terror

  12. Criteria for exclusion • Horror/slasher films • Gangster/crime films • The Casper genre • Trivialize & dehumanize death

  13. Seven pathways of death acceptance • Die loving • Die doing what one loves • Die pursuing a dream • Die saving others • Die redeeming one’s wrongs • Die becoming a better person • Die believing in hope

  14. Die loving • Love is the key to make life & death meaningful • To die happy is to die with love in one’s heart • To love is to mourn its loss • Love is made poignant by death • Undying love is seen only after losing the loved one

  15. Die doing what one loves • To die happy is to do what one loves most and does best • Hedonic happiness – The Bucket List • Eudaimonic happiness – Dance in the Dark, The Wrestler • To enjoy each day as if it were your last • Finding salvation in your passion

  16. Die pursuing a dream • To live is to pursue a dream worth dying for (Milk, Iron Jawed Angels) • Die for an ideal (Defiance, The Last Samurai) • The meaning of your life is defined by your ultimate sacrifice • Self-transcendence is the key to resilience and meaning in life

  17. Die saving others • A heroic and altruistic act • Another example of self-transcendence • A living sacrifice for another person (Life is Wonderful, Saving Private Ryan) • A living sacrifice for humanity (Deep Impact)

  18. Die redeeming one’s wrongs • Die happy without regrets (GranTorino) • Die happy after reconciliation • Need for confession, forgiveness & redemption

  19. Die becoming a better person • The idea of death can save many lives • Encounter with death is an life-altering experience (It’s a Wonderful life, A Christmas Carol, Life as a House) • Death acceptance leads to authentic living

  20. Die believing • Die happy believing in hope • The invisible becomes more real than the visible when life ebbs away • A spiritual vision gives hope in the face of death (The Messenger, Miracle at St. Anna) • The power of the mystic meta-narrative

  21. Conclusion • Meaning offers the best protection against death fear and the best hope for a happy life • The 7 pathways to death acceptance are also the keys to happiness and meaning in life • Dying well is related to living well

  22. Thank You Dr. Paul T. P. Wong, Professor Department of Psychology, Tyndale University College www.meaning.ca; www.existentialpsychology.org dr.paul.wong@gmail.com; ptpwong@rogers.com 416-546-5588, 416-587-4990

More Related