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Quiz (1):

Quiz (1):. New Critical Approaches to Poetry. (1). What of the following could be the two major categories to divide up the critical approaches? 1. Surface and symbolic meanings; 2. Intrinsic and Extrinsic Approaches; 3. Sociological and Psychological Approaches. (2).

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Quiz (1):

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  1. Quiz (1): New Critical Approaches to Poetry

  2. (1) • What of the following could be the two major categories to divide up the critical approaches? • 1. Surface and symbolic meanings; • 2. Intrinsic and Extrinsic Approaches; • 3. Sociological and Psychological Approaches.

  3. (2) • “This Is Just to Say”: What is/are the Central Opposition(s) in this poem? • 1. Breakfast v.s. Dessert; • 2. Plum v.s. Icebox; • 3. Sweet v.s. Delicious.

  4. (3) • “The poet wants to use this poem to get a divorce, so this poem is about divorce.” • This is an example of: • 1. Affective Fallacy; • 2. Intentional Fallacy; • 3. Faulty Deduction.

  5. (4) • What is the Central Opposition in “Stella’s Birthday”? • 1. Stella and the speaker; • 2. Body and Mind; • 3. Double and split.

  6. (5) • What in the following is not part of the major principles of New Criticism? • 1. Affective Fallacy; • 2. Orgasm; • 3. Organic Unity; • 4. Autonomy.

  7. (1) Answer • What of the following could be the two major categories to divide up the critical approaches? • 1. Surface and symbolic meanings; • 2. Intrinsic and Extrinsic Approaches; • 3. Sociological and Psychological Approaches.

  8. (2) Answer • “This Is Just to Say”: What is/are the Central Opposition(s) in this poem? • 1. Breakfast v.s. Dessert; • 2. Plum v.s. Icebox; (or Sweet v.s. Cold) • 3. Sweet v.s. Delicious.

  9. (3) Answer • “The poet wants to use this poem to get a divorce, so this poem is about divorce.” • This is an example of: • 1. Affective Fallacy; • 2. Intentional Fallacy; • 3. Faulty Deduction.

  10. (4) Answer • What is the Central Opposition in “Stella’s Birthday”? • 1. Stella and the speaker; • 2. Body and Mind; • 3. Double and split.

  11. (5) Answer • What in the following is not part of the major principles of New Criticism? • 1. Affective Fallacy; • 2. Orgasm; • 3. Organic Unity; • 4. Autonomy.

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