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Editing

Filmaking Techniques In the analytical tradition, editing serves to establish space and lead the viewer to the most obvious aspects of a scene. In the classical continuity style, editing techniques avoid drawing attention to themselves. Transitions help to weave shots together smoothly.

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Editing

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  1. Filmaking Techniques In the analytical tradition, editing serves to establish space and lead the viewer to the most obvious aspects of a scene. In the classical continuity style, editing techniques avoid drawing attention to themselves. Transitions help to weave shots together smoothly Editing

  2. In the continuity editing system, a cut which shows continuous time and space from shot to shot but which actually mismatches the position of figures or objects in the scene. Cheat Cut The wall disappeared!

  3. Alternates shots of two or more lines of action occurring in different places, usually simultaneously. • The two actions are linked, associating the characters from both lines of action. • To further stress the similarities, the father is actually reliving his first date with his first girlfriend (whom he has just met again after 20 years), while his daughter is actually on her first date! • Link To Notes CROSSCUTTING, AKA PARALLEL EDITING

  4. An instantaneous shift from a distant framing to a closer view of some portion of the same space, and vice versa. This cut in allows for the audience to see the isolation of his confession. CUT-IN, CUT AWAY Link To Notes

  5. An elliptical cut that appears to be an interruption of a single shot. Either the figures seem to change instantly against a constant background, or the background changes instantly while the figures remain constant. Used for storytelling the everyday. Jump Cut Jump Cut

  6. Two or more shots edited together that alternate characters, typically in a conversation situation. Over-the-shoulder framings are common in shot/reverse-shot editing. SHOT/REVERSE SHOT

  7. The exposure of more than one image on the same film strip. The technique was often used to allow the same performer to appear simultaneously as two characters on the screen to express subjective or intoxicated vision, or to introduce a narrative element from another part of the diegetic world into the scene. Link To Notes SUPERIMPOSITION

  8. Transitions Natural Transitions -Wipes

  9. Fast and Slow Cuts Action Films Link To Notes Cutting (Fast or Slow)

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