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Literary Elements

Literary Elements. ELEMENTS OF PLOT. Resolution. ELEMENTS OF PLOT. Exposition The introductory material which gives the setting, creates the tone, presents the characters, and presents other facts necessary to understanding the story.

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Literary Elements

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  1. Literary Elements

  2. ELEMENTS OF PLOT Resolution

  3. ELEMENTS OF PLOT • Exposition The introductory material which gives the setting, creates the tone, presents the characters, and presents other facts necessary to understanding the story. It also gives you a glimpse into a character’s normal daily life.

  4. ELEMENTS OF PLOT • Inciting Force/conflictThe event or character that triggers the conflict. This is something that takes them away from their normal daily life or routine. It starts the rising action.

  5. ELEMENTS OF PLOT Resolution Inciting Force/conflict

  6. ELEMENTS OF PLOT • Inciting Force/conflict It is the essence of fiction. It creates plot. The conflicts we encounter can usually be identified as one of four kinds. (Man versus…Man, Nature, Society, or Self)We will come back to those later.

  7. ELEMENTS OF PLOT • Rising Action A series of events that builds from the conflict/inciting force and ends with the climax.

  8. ELEMENTS OF PLOT Resolution

  9. ELEMENTS OF PLOT • ClimaxThe climax is the high point of the story for the reader. Frequently, it is the moment of the highest interest or excitement and greatest emotion. The point at which the outcome of the conflict can be predicted.

  10. ELEMENTS OF PLOT Resolution

  11. ELEMENTS OF PLOT • Falling Action The events right after the climax.

  12. ELEMENTS OF PLOT Resolution

  13. ELEMENTS OF PLOT • Resolution (Denouement)Rounds out and concludes the action. It may show the new “daily life” for the characters.

  14. ELEMENTS OF PLOT Resolution

  15. CHARACTERIZATION • Protagonist The main character in the story

  16. CHARACTERIZATION • AntagonistThe character or force that opposes the protagonist.

  17. CHARACTERIZATION • Flat/Static CharactersThey have only one or two striking qualities. They are usually all good or all bad. Such characters can be interesting or amusing in their own right, but they lack depth.

  18. CHARACTERIZATION • Dynamic CharactersGenerally the main characters in the story. Often they will change and grow throughout the story, although sometimes for the worse.

  19. CHARACTERIZATION • FoilA character who provides a contrast to the protagonist.

  20. POINT OF VIEW • First Person The narrator is a character in the story who can reveal only personal thoughts and feelings and what he or she sees and is told by other characters. He can’t tell us thoughts of other characters.

  21. POINT OF VIEW • Second Person The narrator is telling the reader what the reader is doing, as part of the story. The reader is the main character. You don’t see this much except in “choose your own adventure” type of stories.

  22. POINT OF VIEW • Third-Person Objective The narrator is an outsider who can report only what he or she sees and hears. This narrator can tell us what is happening, but he can’t tell us the thoughts of the characters.

  23. POINT OF VIEW • Third-Person Limited The narrator is an outsider who sees into the mind of one of the characters.

  24. POINT OF VIEW • Omniscient  The narrator is an all-knowing outsider who can enter the minds of more than one of the characters.

  25. CONFLICT Conflict is the essence of fiction. It creates plot. The conflicts we encounter can usually be identified as one of four kinds.

  26. CONFLICT • Man versus Man Conflict that pits one person against another.

  27. CONFLICT • Man versus Nature A run-in with the forces of nature. On the one hand, it expresses the insignificance of a single human life in the cosmic scheme of things. On the other hand, it tests the limits of a person’s strength and will to live.

  28. CONFLICT • Man versus Society The values and customs by which everyone else lives are being challenged. The character may come to an untimely end as a result of his or her own convictions. The character may, on the other hand, bring others around to a sympathetic point of view, or it may be decided that society was right after all.

  29. CONFLICT • Man versus Self Internal conflict. Not all conflict involves other people. Sometimes people are their own worst enemies. An internal conflict is a good test of a character’s values. Does he give in to temptation or rise above it? Does he demand the most from himself or settle for something less? Does he even bother to struggle? The internal conflicts of a character and how they are resolved are good clues to the character’s inner strength.

  30. Other types of CONFLICT • Character vs. Supernatural Character vs. God, or the Supernatural. This could be any supernatural force that is outside the understanding of the protagonist, including monsters, aliens, or deities.

  31. Other types of CONFLICT • Character vs. Machine/Technology This conflict places a character against man-made entities which may possess “artificial intelligence”.

  32. Other types of CONFLICT • Character vs. Destiny Character vs. Destiny (or Fate) is a theme where one attempts to break free of a predetermined path chosen before him prior to his knowledge. It can also be referred to as an issue between fate and freewill.

  33. Other types of CONFLICT • Character vs. Destiny Character vs. Destiny (or Fate) is a theme where one attempts to break free of a predetermined path chosen before him prior to his knowledge. It can also be referred to as an issue between fate and freewill.

  34. Literary Elements

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