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Teaching Film

Teaching Film. Karen Yager – UNSW & Knox Grammar School. Stage 4 Outcomes. Outcome 1: A student responds to and composes texts for understanding, interpretation, critical analysis and pleasure . Outcome 2: A student uses a range of processes for responding to and composing texts .

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Teaching Film

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  1. Teaching Film Karen Yager – UNSW & Knox Grammar School

  2. Stage 4 Outcomes • Outcome 1: A student responds to and composes texts for understanding, interpretation, critical analysis and pleasure. • Outcome 2: A student uses a range of processes for responding to and composing texts. • A student uses and describes language forms and features, and structures of texts appropriate to different purposes, audiences and contexts.(4.8: in visual texts: medium, organisation, colour, layout, perspective, focus, camera angles and editing) • Outcome 6: A student draws on experience, information and ideas to imaginatively and interpretively respond to and compose texts. • Outcome 8: A student makes connections between and among texts. • Outcome 9: A student demonstrates understanding that texts express views of their broadening world and their relationships within it. (9.10: narrative techniques in film-making and in the media, including their use in news and current affairs reporting and 9.11: film and media techniques used in representing people, places and events.)

  3. Culture of learning • What do I want my students to learn? • Why does it matter? • What do they already know? • How will they demonstrate learning? • How will they get there? • How well do I expect them to do it?

  4. Film as Text • Close or critical study • Visual link to a concept or theme • Creating • Auteur • Book or film trailer • Stimulus for writing • Documentaries • Transformation

  5. Analysis • Explicitly teach film techniques • Act of representation • Characterisation • Connections through themes or ideas • Contextualisation

  6. Strategies • Picture books and posters to introduce visual techniques • Short films and trailers • Mise-en-scene • Sound off • Group or individual tasks focussed on an aspect of the film • Jigsaw or cafes

  7. Assessment • Creativity: Creating a storyboard or film script - http://celtx.com/. • Film: Moviemaker, iMovie or Final Cut Pro • Comics: • http://goanimate.com/ • Comic life: http://comic-life.en.softonic.com/ • Toondoo: http://www.toondoo.com/Home.toon • http://superherosquad.marvel.com/create_your_own_comic

  8. Suggested Films Stage 4 Stage 5 The Black Balloon The Lord of the Rings The Matrix The Fifth Element Edward Scissorhands Brassed Off Stand By Me Holes A Knight’s Tale Nightmare Before Christmas The Boy in Striped Pyjamas Big Fish The Hitchhiker’s Guide to the Galaxy October Sky • Anime: Howl’s Moving Castle, Spirited Away, My Neighbour Totoro, Birthday Bird • Fantasy: Harry Potter films, Never Ending Story, The Princess Bride, Tangled, Ever After, Willow, Labyrinth, Alice in Wonderland • Babe • Mulan • Bend it Like Beckham • E.T. • To Kill a Mocking Bird • The Secret of Roan Inish • The Secret Garden • Bridge to Terabithia • Whale Rider • Nim’s Island • Iron Giant • Diary of a Wimpy Kid • Coralline • Lemony Snickett: A Series of Unfortunate Events

  9. Resources • Vancouver Film School • Australian Screen or Film Australia: http://aso.gov.au/titles/alpha/A/ • http://www.filmeducation.org/ • http://www.mediaed.org.uk/component/option,com_frontpage/Itemid,1/ • http://mediateacher.squarespace.com/film-teaching-guides/ • http://www.metromagazine.com.au/index.html • http://dave.net.au/online/filmandvid/glossary.pdf • http://teachfilmstudy.com/litToFilm.htm

  10. Subjective Frame Personal Response: How do I respond to this image? What do you feel? What does it remind you of? What is the composer conveying in this image about the subject and the times?

  11. Structural Frame Techniques: How does the film make meaning? Visual techniques Framing Composition Salience Gaze Vectors Demand and Offer Medium of production

  12. Cultural Frame Context: How would this image have been received, and how does it reflect its times? Historical: When and where? Cultural: Political Social Responder’s context Impact on Meaning?

  13. Critical Frame Representation: How could this image be read? Gaps and silences Manipulation of image Positioning of responder

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