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Description of raga Hamir

Description of raga Hamir. Raga hameer belongs to thaat kalayan jaati is sampurna-sampurana Vaadi swar is dha and samvadi swar is ga time of performance is evening or first prahar of night Both madhyam i.e shudh ma and tivra ma used in this raag

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Description of raga Hamir

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  1. Description of raga Hamir • Raga hameer belongs to thaat kalayan • jaati is sampurna-sampurana • Vaadi swar is dha and samvadi swar is ga • time of performance is evening or first prahar of night • Both madhyam i.e shudh ma and tivra ma used in this raag • Shudh madhyam is used in aroh and avroh and tivra madhyam is used only in this phrase “ma pa dha pa” • Dha swar used with force or aaghat

  2. Raga hameer • Aaroh-sa re sa ga ma dha ni dha sa • Avroh-sa ni dha pa ma dha pa ga ma re sa • Pakad-sa re sa,ga ma dha,ma pa dha pa ga ma re sa

  3. Brindavani sarang • This raga belogs to kaafi that • Varjit swaras ga and dha • Shudh ni is used in aaroh and komalni in avroh • Vaadi swar re and samvadi swar pa • Time madhayanah (noon) it is generaly sung as a part of mahfil • Rasa shringar

  4. Raag brindavani sarang • Aaroh- sa re ma pa ni sa • Avroh- sa ni pa ma re ni sa • Pakad- ni sa re ma re pa ma re ni sa

  5. Description of raga kaafi • Kafi is a sampoorna-sampoorna or heptatonic raga, with komal (soft) Gandhar(g) and Nishad(n). • Arohana • Sa Re ga Ma Pa Dha ni Sa • Avarohana • SnDPMgRS • Vadi & Samavadi • Pancham(P) is the vadi swara and shadaj (sa) is the samavadi swara. • Pakad • A typical improvisation of Kafi starts as nD,PmgR *, SS RR gg mm P, P m g R, g m P g - R. • The phrases below and termination in R are characteristic of the raga. S R g M P D n. S, RgMP, M P D (M)g R

  6. Chalan • The typical chalan of the raga can be illustrated as follows: • S S R R g g M M P - - D M P g R R n D n P D M P S n D P M G R S. • M P D D n S - S R g R S N D S - S R S n D n D P M P D P g - R - R n D n P D M P S n D P M g R S • Organization & Relationships • Various distinguished ragas, such Bhimpalasi, Bageshree, and Vrindavani Sarang are associated with this raga. Few important tributaries of this raga are Sindhura, Barwa, Neelambari, and Piloo. • Behavior • Samay (Time) • Evening and the first part of Night. • Seasonality • The raga is suitable to be performed during any season. • Rasa • The principal rasa for this raga is shringar.

  7. Raga asawari • Asavari is a Hindustani classicalraga. It belongs to the Asavari thāt and is performed in the morning hours. • Structure • Arohana: S R m P d S' • Avarohana: S' n d P m P g R S • Vadi: dha • Samavadi: ga • Important Anuvaadi: P • Jaati: Audav-Sampoorn • Organization and relationships • The ragas closest to Asavari are Komal Rishabh Asavari and Jaunpuri and it is part of the Kanada Raga group

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