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Chapter 24 Turn of the Century: Fauvism, Expressionism, and Matisse. Henri Matisse, Madame Matisse (The Green Line), 1905. Oil on canvas, 16" x12 3/4". Henri Matisse, Woman with the Hat, 1905. Oil on canvas, 32 3/4" x23 1/2". Other Fauve painters: Left: Maurice Vlaminck, Restaurant at

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Chapter 24 Turn of the Century: Fauvism, Expressionism, and Matisse


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    1. Chapter 24Turn of the Century: Fauvism, Expressionism, and Matisse

    2. Henri Matisse, Madame Matisse (The Green Line), 1905. Oil on canvas, 16" x12 3/4" Henri Matisse, Woman with the Hat, 1905. Oil on canvas, 32 3/4" x23 1/2"

    3. Other Fauve painters: Left: Maurice Vlaminck, Restaurant at Bottom left: Andre Derain, London Bridge, 1905 Bottom right: Raol Dufy, Sunshades

    4. Henri Matisse, Harmony in Red (aka The Red Room), 1908-09. o/c, 5’ 11" x 8’ 1"

    5. Henri Matisse, Dance I, 1909. Oil on canvas, 8' 6 1/2" x 12' 9 1/2".

    6. Large Seated Nude, c. 1925, Bronze 31 1/4” x 30 1/2 x 13 3/4" Henri Matisse, Jeanette V, 1916. Bronze, 23" x 7 3/4" x 11 1/2”

    7. "JAZZ : The Horse, the horsewoman and the Clown" "JAZZ : The Knife Thrower" JAZZ : The Nightmare of the white elephant" JAZZ : Icarus Henri Matisse,Four cut-outs from the “Jazz” series c. 194os

    8. Henri Matisse,Icarus, Plate VIII from Jazz. Paris, E. Tériade, 1947. Pochoir, printed in color, each double page: 16 5/8" x 25 5/8".

    9. German Expressionism: Die Brücke (The Bridge) Ernst Ludwig Kirchner, Five Women in the Street, 1913. Oil on canvas, 3' 10 1/2" x 2' 11 1/2” Emil Nolde, Still Life with Masks, 1911, oil on canvas; 28 3/4”x 30 1/2”

    10. German Expressionism: Der Blaue Reiter (The Blue Rider) Franz Marc, Large Blue Horses, 1911, o/c, 3’ 5 3/8” x 5’ 11 5/16” Vassily Kandinsky, Panel for Edwin R. Campbell No. 4, 1914, o/c 5’ 4 1/2” x 4’ 1/2”

    11. ,Large Blue Horses, 1911 Fighting Forms, 1914, o/c

    12. Vassily Kandinsky, Panel for Edwin R. Campbell No. 4, (formerly Painting No. 201, Winter), 1914. Oil on canvas, 64 1/4" x 48 1/4” detail

    13. Komposition No. 4, 1912, watercolor, 5 1/2” x 8 1/4”