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William Shakespeare

William Shakespeare. Widely regarded as the greatest writer in English Literature. Shakespeare. 1563-1616 Stratford-on-Avon, England wrote 37 plays about 154 sonnets started out as an actor. Stage Celebrity. Actor for Lord Chamberlain’s Men (London theater co.)King’s Men

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William Shakespeare

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  1. William Shakespeare Widely regarded as the greatest writer in English Literature

  2. Shakespeare • 1563-1616 • Stratford-on-Avon, England • wrote 37 plays • about 154 sonnets • started out as an actor

  3. Stage Celebrity • Actor for Lord Chamberlain’s Men (London theater co.)King’s Men • Also > principal playwright for them • 1599> Lord Ch. Co. built Globe Theater where most of Sh. Play’s were performed

  4. Shakespeare wrote: • Comedies • Histories • Tragedies

  5. Romeo and Juliet • Written about 1595 • Considered a tragedy • West Side Story (Movie) based on R&J

  6. The Theater • Plays produced for the general public • Roofless; open air • No artificial lighting • Courtyard surrounded by 3 levels of galleries

  7. Spectators • Wealthy got benches • “Groundlings”-poorer people stood and watched from the courtyard (“pit”) • All but wealthy were uneducated/illiterate • Much more interaction than today

  8. Staging Areas • Stage-platform that extended into the pit • Dressing & storage rooms in galleries behind & above stage • second-level gallery- upper stage-famous balcony scene in R & J • Trap door-ghosts • “Heavens”- angelic beings

  9. Differences • No scenery • Settings - references in dialogue • Elaborate costumes • Plenty of props • Fast-paced, colorful-2 hours!

  10. Actors • Only men and boys • Young boys whose voices had not changed play women’s roles • Would have been considered indecent for a woman to appear on stage

  11. Aside • Words spoken, usually in an undertone not intended to be heard by all characters

  12. Blank Verse • Much of R & J is written in it: • unrhymed verse

  13. Characterization • How a character is introduced and revealed: • Direct • Indirect

  14. Round characters • Characters who have many personality traits, like real people.

  15. Flat Characters • One-dimensional, embodying only a single trait • Shakespeare often uses them to provide comic relief even in a tragedy

  16. Static Characters • Characters within a story who remain the same. • They do not change. • They do not change their minds, opinions or character.

  17. Conflict • The struggle that develops • man vs. man • man vs. society • man vs. nature • man vs. himself

  18. Couplet • pair of lines of meter in poetry. It usually consists of two lines that rhyme and have the same meter. • Examples: "Saints do not move, though grant for prayers' sake""Then move not while my prayers' effect I take.“ • “She hath forsworn to love, ad in that vow • Do I live dead that live to tell it now.”

  19. Epithet • descriptive phrase expressing a quality characteristic of the person or thing mentioned • Examples: • star-crossed lovers = Romeo & Juliet • man of wax =Paris • Rebellious subjects= Capulets/Montagues

  20. Figurative Language • Use of literary devices such as simile, metaphor, hyperbole, personification • Example: • Romeo: "But soft! What light through yonder window breaks?It is the East, and Juliet is the sun!"METAPHOR

  21. Dramatic Foil • A character who acts as a contrast to another character • Examples: We will define these more • Benvolio- Tybalt • Rosaline – Juliet • Paris- Romeo

  22. Meter • iambic (unstressed, stressed) • pentameter( 5 “feet” to a line) • ends up to be 10 syllable lines • Example: • Two/ house/holds/, both/ a/like/ in/ dig/ni/ty,In/ fair/ Ve/ro/na/, where/ we/ lay/ our /scene,

  23. Metaphorical Language • Comparison of unlike things : • Paris standing over the “lifeless body” of Juliet, “Sweet flower, with flowers thy bridal bed I strew…” • “Thou detestable maw…”Gorged with the dearest morsel of the earth…” Romeo

  24. Simile • Comparison using like or as: • Romeo says . of Juliet that "it seems she hangs upon the cheek of night/ Like a rich jewel in an Ethiope's ear". • Romeo says that love "pricks like thorn". Capulet later remarks that "death lies on her like an untimely frost".

  25. Pun • Shakespeare loved to use them!!! • Humorous use of a word with two meanings -sometimes missed by the reader because of Elizabethan language and sexual innuendo • Example: • Mercutio's in Act III, when he realizes he has been fatally wounded: • ...ask for me to-morrow, and you shall find me a grave man.

  26. Prose • Ordinary writing that is not poetry, drama, or song • Only characters in the lower social classes speak this way in Shakespeare’s plays • Why do you suppose that is?

  27. Plot • The sequence of events in a literary work

  28. Exposition • The plot usually begins with this: • introduces>>>> • setting • characters • basic situation

  29. Inciting Moment • Often called “initial incident” • the first bit of action that occurs which begins the plot • Romeo and Juliet “lock eyes” at the party

  30. Crisis • The point where the protagonist’s situation will either get better or worse • protagonist>good guy • antagonist>bad guy

  31. Climax • The turning point of the story>everything begins to unravel from here • Thus begins the falling action

  32. Resolution • The end of the central conflict

  33. Denouement • The final explanation or outcome of the plot • If this is included in literature, it will occur after the resolution.

  34. Dynamic Character • Characters that change somehow during the course of the plot. • They generally change for the better.

  35. Tragedy (Shakespearean) • Drama where the central character/s suffer disaster/great misfortune • In many tragedies, downfall results from: • Fate • Character flaw/Fatal flaw • Combination of the two

  36. Theme • Central idea or : • Insight about life which explain the downfall

  37. Dramatic Irony • A contradiction between what a character thinks and what the reader/audience knows to be true

  38. Situational Irony • An event occurs that directly contradicts the expectations of the characters, the reader, or the audience

  39. Verbal Irony • Words used to suggest the opposite of what is meant

  40. Monologue • One person speaking on stage > may be other character on stage too • ex > the Prince of Verona commanding the Capulets and Montagues to cease feuding

  41. Oxymoron • bringing together two contradictory terms as in “wise fool” or “feather of lead” •  Example: In Act 1, Scene 1 Romeo uses several oxymora (the plural of“oxymoron”) • to describe the relationship of love and hate. He says, • “O brawling love, O loving hate.”

  42. Soliloquy • Long speech expressing the thoughts of a character alone on stage. • In R & J, Romeo gives a soliloquy after the servant has fled and Paris has died.

  43. Protagonist/Antagonist • The protagonist is the main character of the story. He or she may be good, bad, or a combination of both. In any case, s/he is the character at the story's heart and is typically (though not always) the character who changes the most from the beginning to the end of the story or novel.

  44. Protagonist/Antagonist • The antagonist is any character in conflict with the protagonist. He or she may be a villain, but may also be a good, kind, loving, caring individual. It is not the character's goodness or lack of it that defines the antagonist: it is his or her relationship to and interaction with the protagonist.

  45. Protagonist/Antagonist • Most stories have only one protagonist, but may have many antagonists. In stories where the protagonist is facing an internal conflict or struggle, he or she is also an antagonist.

  46. Protagonist/Antagonist • The protagonists are Romeo and Juliet. The antagonists (some) are • The feuding Montagues and Capulets, • Tybalt • Fate.

  47. Direct Address • Words that tell the reader who is being addressed: • “A right fair mark, fair coz, is soonest hit.” • “Ah, my mistresses, which of you all/ Will now deny to dance?”

  48. Comic Relief • Use of comedy within literature that is NOT comedy to provide “relief” from seriousness or sadness. • In R & J, look for moments of comic relief that help “relieve” the tragedy of the situation

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