Genres Of Film. Action. High-energy physical stunts Two-dimensional good guys vs bad guys Designed for audience escapism Began in Post-Cold War(1960s). Notable examples. 007 James Bond spy series Terminator Series Rambo series. Adventure.
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Action • High-energy physical stunts • Two-dimensional good guys vs bad guys • Designed for audience escapism • Began in Post-Cold War(1960s)
Notable examples • 007 James Bond spy series • Terminator Series • Rambo series
Adventure • usually exciting stories,newexperiences or exotic locales • intended to appeal mainly to men • Showcased courageous, altruistic, patriotic heroes who fight for beliefs, freedom or against injustice
Notable examples • Indiana Jones series • Robin Hood (1922) • The Three Musketeers (1916, 1921, 1933, 1935, 1948, 1973, and 1993)
Animation • not a strictly-defined genre category, but rather a film technique • often appeal to children
Notable examples • Little Nemo in Slumberland (1911) • The Adventures of Felix (1919) • Steamboat Willie (1928)
Biopic • from the combination of the words "biography" and "pictures“ • depict and dramatize the life of an important historical personage
Notable examples • The Private Life of Henry VIII (1933) • The Life of Emile Zola (1937) • Abraham Lincoln (1930)
Crime-Ganster • developed around the sinister actions of criminals • often highlight the life of a crime figure or a crime's victim • provide a view of the secret world of the criminal
Notable examples • The Musketeers of Pig Alley (1912) • Dead Man Walking (1996) • The Godfather (1972)
Children/ Family/Comedy • Light-hearted plots • Amuses audience through exaggeration • Usually has happy endings
Fantasy • transcend the bounds of human possibility and physical laws • often in the context of imagination, dreams, or hallucinations • appeal to both children and adults
Notable examples • The Thief of Bagdad (1940, UK) • Tom Thumb (1958) • The Beast from 20,000 Fathoms (1953)
Film Noir • literally 'black film or cinema‘ • Fear, mistrust, bleakness, loss of innocence, despair and paranoia are readily evident • is not a genre, but rather the mood, style, point-of-view, or tone of a film
Notable examples • Dark Passage (1947) • The Cabinet of Dr. Caligari (1920, Germ.) • The Maltese falcon (1941)
Found Footage • Footage is presented as something found • events on screen are seen through the camera of the characters involved, who often speaks off screen • Shaky camera work is employed for realism
Horror • Designed to frighten and invoke fears • Often combined with Sci-Fi • Center on the dark side of life • Goes as far back as the onset of films
Notable examples • Le Manoir Du Diable (1896, Fr.) (aka The Devil's Castle/The Haunted Castle)-1st horror film • Notre-Dame De Paris (1911, Fr.) (aka The Hunchback of Notre Dame) • Frankenstein (1910)
Martial Arts • contains numerous fights between characters • Focus is placed on action • Characters are many times played by real martial artists
Notable examples • Ip Man (2008) • The Karate Kid (1984) • Bruce Lee Films
Monster • centre on the struggle between human beings and one or more monsters • The monster is usually created by a folly of mankind • Serves as a metaphor for human’s continuous destruction
Notable examples • The Golem (1915) • The Invisible Man (1933) • The Host (2006)
Musical • emphasize and showcase full-scale song and dance routines • centered on combinations of music, dance, song • has been considered the most escapist of all genres
Notable examples • The Lion King (1994) • The Singing Fool (1928) • The Jazz singer (1927)
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