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Physically Based Shading in Real Time Rendering

Physically Based Shading in Real Time Rendering. Christian Schüler MBL Development. Introduction. Who’s me? Veteran: Engine programming since 15 years Several shipped games Doing “serious” work now but still love games. Introduction. Physically Based Shading Solves some real problems

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Physically Based Shading in Real Time Rendering

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  1. Physically Based Shadingin Real Time Rendering • Christian Schüler • MBL Development

  2. Introduction • Who’s me? • Veteran: Engine programming since 15 years • Several shipped games • Doing “serious” work now but still love games

  3. Introduction • Physically Based Shading • Solves some real problems • Can make authoring easier • Can improve looks • Feels as the “right” way to do things • Is going to be implemented in more and more engines

  4. Introduction • Ingredients for Physically Based Shading • Linear Lighting • Energy Preserving Specular • Metals + Dielectrics • Fresnel Reflectance • Image Based Reflections • Microfacet Models

  5. Introduction • Ingredients for Physically Based Shading • Linear Lighting • Energy Preserving Specular • Metals + Dielectrics • Fresnel Reflectance • Image Based Reflections • Microfacet Models will talk about these today important for content creation

  6. Introduction • Ingredients for Physically Based Shading • Linear Lighting • Energy Preserving Specular • Metals + Dielectrics • Fresnel Reflectance • Image Based Reflections • Microfacet Models programmers and shader authors worry about these

  7. PBS Ingredients • PBS Ingredient #1Linear Lighting

  8. PBS Ingredients → Display Gamma and Linear Lighting • 1989The age of “Pixel Art” and a life-changing revelation:RGB values are not linear!

  9. PBS Ingredients → Display Gamma and Linear Lighting naïve 0—25—50—75—100 corrected 0—50—71—87—100 too dark

  10. PBS Ingredients → Display Gamma and Linear Lighting • RGB values are not linear. This is important for— • Distance and falloff curves sharp border

  11. PBS Ingredients → Display Gamma and Linear Lighting • RGB values are not linear. This is important for— • Distance and falloff curves • Addition of Lights not washed out

  12. PBS Ingredients → Display Gamma and Linear Lighting • RGB values are not linear. This is important for— • Distance and falloff curves • Addition of Lights • Addition of Colors(diffuse + specular) no color shift

  13. PBS Ingredients → Display Gamma and Linear Lighting effect begins early • RGB values are not linear. This is important for— • Distance and falloff curves • Addition of Lights • Addition of Colors(diffuse + specular) • Addition of Colors(atmospheric effects) bright details still visible

  14. color shift falloff, gradient too soft color shift and clipping PBS Ingredients → Display Gamma and Linear Lighting • Counter-Example: • Not done with linear lighting • Classic “computer” look

  15. PBS Ingredients → Display Gamma and Linear Lighting • Further reading • Blogshttp://filmicgames.com/archives/category/gamma • Unrealhttp://udn.epicgames.com/Three/TexturingGuidelines.html • CryEnginehttp://freesdk.crydev.net/display/SDKDOC4/Gamma-Correct+Rendering+(sRGB) • Unityhttp://docs.unity3d.com/Documentation/Manual/LinearLighting.html

  16. PBS Ingredients • PBS Ingredient #2Energy Preserving Specular

  17. PBS Ingredients → Energy Preserving Specular • Assignment: • Make a Blinn/Phong material with textured glossiness.

  18. PBS Ingredients → Energy Preserving Specular • Assignment: • Make a Blinn/Phong material with textured glossiness. • Why?

  19. PBS Ingredients → Energy Preserving Specular smooth rough • 2006 • Per pixel varying glossiness for ice material • Spellforce 2

  20. rough low glossiness smooth high glossiness PBS Ingredients → Energy Preserving Specular http://en.wikipedia.org/wiki/File:Frost_patterns_4.jpg

  21. 2009 Per pixel varying glossiness for wet vs dry effect Velvet Assassin PBS Ingredients → Energy Preserving Specular

  22. glossiness texture alpha channel of specular map 2009 Per pixel varying glossiness for wet vs dry effect Velvet Assassin PBS Ingredients → Energy Preserving Specular

  23. Blinn/Phong diffuse color opacity specular color specular power Texture color alpha PBS Ingredients → Energy Preserving Specular • First try:

  24. Blinn/Phong diffuse color opacity specular color specular power Texture color alpha PBS Ingredients → Energy Preserving Specular 0 ... 1 0 ... infinity ? • What about the parameterization? • What are meaningful values to put into a texture?

  25. Blinn/Phong diffuse color opacity specular color specular power Texture color alpha exponential function PBS Ingredients → Energy Preserving Specular 0 ... 1 1 ... 4096 • What about the parameterization? • What are meaningful values to put into a texture?

  26. low gloss high gloss PBS Ingredients → Energy Preserving Specular • In reality, the size of a highlight is linked with its peak brightness. • This is the Energy Preservation bit.

  27. dependency PBS Ingredients → Energy Preserving Specular glossiness specular color • Workflow hazard: Glossiness channel and specular color channel become dependent on one another!

  28. Blinn/Phong diffuse color opacity specular color specular power multiplier Texture color alpha exponential function ? PBS Ingredients → Energy Preserving Specular • Solution: Break the dependency! • Shader must scale specular color automatically.

  29. integral normalization factor PBS Ingredients → Energy Preserving Specular • This multiplier is called the normalization factor. • Can be computed from a hemispherical integral. • Several possibilities, see references.

  30. normalization factor Blinn/Phong diffuse color opacity specular color specular power Texture color alpha exponential function n+1 2 PBS Ingredients → Energeticgy Conserving Specular • It starts to get somewhat messy.

  31. normalization factor Blinn/Phong diffuse color opacity specular color specular power Texture color alpha exponential function n+1 2 PBS Ingredients → Energeticgy Conserving Specular • Why not call that a new kind of material?

  32. normalized Blinn/Phong diffuse color opacity specular color glossiness Texture color alpha PBS Ingredients → Energy Preserving Specular • Enter the normalized Blinn/Phong material. • Accepts a glossiness parameter in the range 0 to 1. • Automatic scale of specular color.

  33. Texture color alpha normalized Blinn/Phong diffuse color opacity specular color glossiness Texture color alpha PBS Ingredients → Energy Preserving Specular • Neat side effect: • Completely parameterized by two RGBA textures.

  34. PBS Ingredients → Energy Preserving Specular • Further reading • Blogshttp://www.rorydriscoll.com/2009/01/25/energy-conservation-in-games/http://seblagarde.wordpress.com/2011/08/17/hello-world/http://www.thetenthplanet.de/archives/255 • Unrealhttp://udn.epicgames.com/Three/ImageBasedReflections.html • CryEnginehttp://freesdk.crydev.net/display/SDKDOC4/Shading

  35. PBS Ingredients • PBS Ingredient #3Metals and Dielectrics

  36. PBS Ingredients • PBS Ingredient #3Metals and ...

  37. PBS Ingredients • PBS Ingredient #3Metals and Non-Metals

  38. PBS Ingredients • PBS Ingredient #3Metals and Non-Metals • aka: “can set diffuse color to zero without everything else messed up”

  39. PBS Ingredients • PBS Ingredient #3Metals and Non-Metals • aka: “can set diffuse color to zero without everything else messed up”= no need for an extra “metal shader” (helps batching)

  40. PBS Ingredients → Metals and Dielectrics • Assignment: • What is the difference between metals and non-metals?

  41. Are metals “somehow grey”? PBS Ingredients → Metals and Dielectrics • Assignment: • What is the difference between metals and non-metals?

  42. Are metals “especially shiny”? PBS Ingredients → Metals and Dielectrics • Assignment: • What is the difference between metals and non-metals?

  43. But surely they have “lots of specular”? PBS Ingredients → Metals and Dielectrics • Assignment: • What is the difference between metals and non-metals?

  44. metal non-grey non-metal low glossiness metal low glossiness non-metal high glossiness PBS Ingredients → Metals and Dielectrics metal high glossiness

  45. non-metaldiffuse + specular PBS Ingredients → Metals and Dielectrics metal specular only • Metals are pure reflection, • characterized by the absence of a diffuse component.

  46. PBS Ingredients → Metals and Dielectrics • Specular reflection happens on the surface incoming light specular reflection more or less glossy surface more or less smooth

  47. PBS Ingredients → Metals and Dielectrics • This is still specular reflection incoming light specular reflection all over the place surface extremely rough

  48. PBS Ingredients → Metals and Dielectrics • This is still specular reflection incoming light specular reflection all over the place surface extremely rough 100% specular

  49. PBS Ingredients → Metals and Dielectrics • Diffuse reflection happens below the surface • Completely different physical process incoming light diffuse reflection absorption and re-emission molecules

  50. PBS Ingredients → Metals and Dielectrics • Diffuse reflection happens below the surface • Completely different physical process incoming light diffuse reflection absorption and re-emission 100% diffuse (no solid surface at all) molecules

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