1 / 15

The God, the Good, and the Guillotine

The God, the Good, and the Guillotine. A concert ‘opera’ in 11 chapters. Dr Jane Turner and Dr Martin Blain Department of Contemporary Art Manchester Metropolitan University. The Collaborators. For information on the project see: http ://proto-type.org/category/news /

zasha
Télécharger la présentation

The God, the Good, and the Guillotine

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. The God, the Good, and the Guillotine A concert ‘opera’ in 11 chapters Dr Jane Turner and Dr Martin Blain Department of Contemporary Art Manchester Metropolitan University

  2. The Collaborators For information on the project see: http://proto-type.org/category/news/ For this project - Proto-type Theater: Peter Petralia (now an associate of the company): writer and director Andrew ‘Wes’ Westerside: performer; latterly also director Gillian Lees: performer MMUle (Manchester Metropolitan University laptop ensemble) Martin Blain: composer and performer Paul J. Rogers: composer and performer Nick Donovan: composer and performer Associates: Adam York Gregory: animator Rebecca m.k. Makus: lighting designer

  3. Working strategies • Displacement – of objects in the space, material propositions being brought into space. • Defamiliarisation – spatial relationships and dynamic relationships between performers, and performers and objects. • Translation – Blog: space to translate rehearsal experience into reflective experience – and different sense of knowing • Transformation – of proposed materials using interventions.

  4. Rehearsal block 2 Nick Donovan, Andrew ‘Wes’ Westersideand Martin Blain

  5. Rehearsal block 2 Gillian Lees, Nick Donovan, Andrew ‘Wes’ Westersideand Martin Blain

  6. Rehearsal block 2 Paul J. Rogers, Gillian Lees, Leentje Van de Cruysand Nick Donovan.

  7. Rehearsal block 2 Gillian Lees, Leentje Van de Cruys, Nick Donovan and Andrew ‘Wes’ Westerside; light objects by Rebecca m.k. Makus

  8. John Cage on devising We must construct, that is, gather together what exists in a dispersed state. As soon as we give it a try, we realize that everything already goes together. Things are gathered together before us; all we have done is to separate them. Our task henceforth, is to reunite them (quoted by Georg Laue, ‘…To Gather Together What Exists in a Dispersed State’ in Composed Theatre: Aesthetics, Practices, Processes edited by Matthias Rebstock and David Roesner, 2012: 136).

  9. Re-configured space from block 3 MMUle and Leentje Van de Cruys

  10. Spatial configuration merging laptop and theatre performers Proto-type Theater and MMUle

  11. A set-up from block 3 work. Proto-type Theater and MMUle

  12. Preview night at The Tramway January 24th 2013

  13. The arrival of the animations – The Tramway Animator: Adam York Gregory

  14. A critical magpie • Performative polyphony • Technological uncanny • Aesthetic pleasure • Technological sublime • Technological heteronomy

More Related