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Kore / Korai

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Kore / Korai

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  1. The Temple of Athena Nike - part of the Acropolis in the city of Athens. The Greeks built the Temple of Apollo at Didyma, Turkey (about 300 BC). The design of the temple was known as dipteral, a term that refers to the two sets of columns surrounding the interior section. These columns surrounded a small chamber that housed the statue of Apollo. With Ionic columns reaching 19.5 m (64 ft) high, these ruins suggest the former grandeur of the ancient temple.

  2. The Temple of Apollo at Didyma - The Greeks built the Temple of Apollo at Didyma, Turkey (about 300 BC). The design of the temple was known as dipteral, a term that refers to the two sets of columns surrounding the interior section. These columns surrounded a small chamber that housed the statue of Apollo. With Ionic columns reaching 19.5 m (64 ft) high, these ruins suggest the former grandeur of the ancient temple.

  3. Parthenon - temple of Athena Parthenos ("Virgin"), Greek goddess of wisdom, on the Acropolis in Athens. The Parthenon was built in the 5th century BC, and despite the enormous damage it has sustained over the centuries, it still communicates the ideals of order and harmony for which Greek architecture is known.

  4. By definition, Kore (maiden) refers to statues depicting female figures, always of a young age, which were created during the Archaic period (600 – 480 BCE) either as votive or commemorative statues. Wealthy patrons commissioned them either to serve the deities in place of the patron, or as less often was the case, to become commemorative grave markers for members of a family. Kore / Korai

  5. Kouros Kouros, as was the case with the Kore statues, were almost always approximately life-size (some much larger), and with few exceptions were made of marble. They are depicted standing in a frontal pose with their left leg moved forward, their arms close to their bodies touching the side of their thighs, and they exhibit an almost strict symmetry as the different parts of the anatomy are depicted as simple geometric forms. In this respect, the Kouros statues have a great deal in common with Egyptian monumental sculpture that undoubtedly influenced their development. However, the similarities between Egyptian and Greek monumental statues are superficial. The Greek Kouroi soon after the initial stages of the early 7th century begin to exhibit the marks of the inquisitive spirit, the inherit sense of freedom, and the curiosity of the Greek artists.

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