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Mannerism

Mannerism. Journal #5 Why is this a Mannerist Painting?. Jacopo da Pontormo Descent from the Cross Capponi Chapel, Santa Felicità, Florence, Italy 1525-1528 oil on wood 10 ft. 3 in. x 6 ft. 6 in. Vertical Axis Void in the center

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Mannerism

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  1. Mannerism

  2. Journal #5 Why is this a Mannerist Painting? Jacopo da Pontormo Descent from the Cross Capponi Chapel, Santa Felicità, Florence, Italy 1525-1528oil on wood10 ft. 3 in. x 6 ft. 6 in.

  3. Vertical Axis • Void in the center • Figures glance anxiously in all direction creating a feeling of uncertainty • Twisted and distorted bodies • Not balanced

  4. Parmigianino Madonna with the Long Neck ca. 1535oil on wood7 ft. 1 in. x 4 ft. 4 in.

  5. Parmigianino Madonna with the Long Neck ca. 1535oil on wood7 ft. 1 in. x 4 ft. 4 in.

  6. A Mannered Portrait • Respectable and reserved formality • Depicted intellectual society • Portrait of a Young Man • Calculated attitude of nonchalance toward the observing world. • Proud and intellectual • Asserts rank and station but not personality • Muted background sharply defines impassive pose

  7. Bronzino Portrait of a Young Man ca. 1530soil on woodapproximately 3 ft. 1 1/2 in. x 2 ft. 5 1/2 in.

  8. Tintoretto Last Supper Chancel. San Giorgio Maggiore, Venice, Italy 1594oil on canvas12 ft. x 18 ft. 8 in.

  9. Last Supper • Halos clue viewers to the biblical nature of the scene. • Part of the Catholic Reformation Era • Catholics deemed art as valuable for cultivating piety • Protestants believed art could produce idolatry • Imbalanced composition and visually complex • Use of light for emotional effect

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