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“The Pearl” by John Steinbeck

“The Pearl” by John Steinbeck. (1902-1968) Born in Salinas, California 1962 Nobel Prize for Literature. “The Pearl” by John Steinbeck. The Seven Deadly Sins: 1. Pride 2. Envy 3. Anger 4. Sloth 5. Avarice 6. Gluttony 7. Lust. “The Pearl” by John Steinbeck.

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“The Pearl” by John Steinbeck

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  1. “The Pearl” by John Steinbeck (1902-1968) Born in Salinas, California 1962 Nobel Prize for Literature

  2. “The Pearl” by John Steinbeck The Seven Deadly Sins: 1. Pride 2. Envy 3. Anger 4. Sloth 5. Avarice 6. Gluttony 7. Lust

  3. “The Pearl” by John Steinbeck John Steinbeck: • Born in Salinas, California on February 27, 1902, which is the state of many of his stories. • 2 qualities mark his work 1. a deep feeling for nature 2. a profound sympathy for people • Attained literary success in 1937 – “Of Mice and Men” • Wrote adaptation for stage for this novel • Received New York Drama Critics AWard

  4. “The Pearl” by John Steinbeck • Wrote “The Grapes of Wrath” in 1939 • About the Great Depression • Awarded the Pulitzer Prize for this novel • 1962 was awarded the Nobel Prize for Literature • Wrote “The Pearl” in 1944-45 in the setting of La Paz on the Baja peninsula in which the pearl industry is of great importance. • This story is based upon a true story that Steinbeck heard when he was there on a marine biology expedition.

  5. “The Pearl” by John Steinbeck • This work focuses on the outcasts of society—the poor, the uneducated, the demented, and the rebellious. • It illustrates Steinbeck’s outrage at man’s inhumanity to man. • It is also based upon Jesus’ parable in Matthew 13:45-46 [RSV] • “Again, the Kingdom of heaven is like a merchant in search of fine pearls, who, on finding one pearl of great value, went and sold all that he had and bought it.”

  6. “The Pearl” by John Steinbeck A novella: is a shorter novel that tells a story with several characters and may have more than one plot, with complex levels or situations, and it presents a picture of real life. A novella includes, besides a plot and characters, setting, theme, point of view, style (forms of expression, length of sentences, choice of words by author), and tone (author’s attitude toward story).

  7. “The Pearl” by John Steinbeck I. Facts: A. Title: The Pearl B. Type of work: Novella C. Genre: Parable, allegory 1. parable: a story that teachers a lesson 2. allegory: a story whose characters represent abstract ideas in order to teach a lesson

  8. “The Pearl” by John Steinbeck D. Time written: 1944-1945 E. Narrator: anonymous narrator tells a story as if he knows it well, but tells the story as a storyteller from the time period F. Point of view: third person omniscient who provides commentary on the story from three different perspectives of Kino, Juana, and the doctor.

  9. “The Pearl” by John Steinbeck G. Tense: this is told in the past H. Setting: late 19th century or very early 20th century in a Mexican coastal village called La Paz on the Baja peninsula I. Protagonist: Kino J. Antagonist: doctor, trackers, evil

  10. “The Pearl” by John Steinbeck K. Major Conflict: 1. Kino finds pearl and wants to sell it for wealth; good vs evil 2. wealth vs poverty 3. education vs ignorance L. Climax: Kino kills a man who attacks him for his pearl.

  11. “The Pearl” by John Steinbeck M. Rising Action: 1. scorpion stings Coyotito 2. Kino discovers a great pearl 3. Kino attempts to sell pearl and is unsuccessful 4. Kino is attacked 5. Kino beats Juana for attempting to get rid of the pearl

  12. “The Pearl” by John Steinbeck N. Falling Action: 1. Kino and Juana flee the village 2. They are chased by trackers 3. Kino fights with trackers 4. trackers kill Coyotito 5. Kino and Juana return to village 6. They throw the pearl back into the sea

  13. “The Pearl” by John Steinbeck II. Characters: A. Kino: dignified, hardworking, impoverished native who works as a pearl diver. He is a simple man who lives in a brush house with his wife and infant son, Coyotito. He is a motivated by basic drives of love for his family, loyalty to traditions of his people, and frustration of his people’s oppression by the Europeans. In this parable, Kino represents the dangers of greed and ambition.

  14. “The Pearl” by John Steinbeck • B. Juana: She is Kino’s wife and is at first glad of the pearl, and then she sees it as an agent of evil. She possesses a simple faith in divine powers of her native village, but augments the powers that the Europeans have instilled. Juana is more practical than Kino, but she is typically submissive as her culture dictates, even when she does not agree with her husband. Juana represents practicality and counterbalances Kino’s enthusiasm for money. She is the symbol of domestic happiness.

  15. “The Pearl” by John Steinbeck C. Coyotito: Kino’s only infant son who is stung by a scorpion. He is helpless to improve his situation. The efforts of greed do more harm than good. D. Juan Tomás: Kino’s older brother. The loyalty and family support is here, as well as his guidance.

  16. “The Pearl” by John Steinbeck E. Apolonia: Juan Tomás’s wife and mother of four children. She is also sympathetic to Kino and Juana’s plight and helps and supports as family devotion in the culture. F. Doctor: a small time colonial who wants to be wealthy. He represents greed, arrogance, and condescension at the heart of the colonial society (European). He represents the society that oppresses Kino and his people.

  17. “The Pearl” by John Steinbeck G. Priest: They represent moral virtue and goodness, but really only interested in exploiting Kino’s wealth as everyone else is. H. Dealers: Well-organized and corrupt cheat and take advantage of Indian pearl divers and they long to cheat Kino out of his pearl. I. Trackers: this is a group of violent and corrupt men that follow Kino and Juana.

  18. “The Pearl” by John Steinbeck III. Themes: A. Greed is a destructive force: 1. As Kino tries to gain wealth, he goes from a happy, contented man to a savage criminal. The pearl goes from a symbol of hope to a symbol of human destruction. Kino becomes detached from his cultural traditoins and his society, as will his people in their quest for wealth and equality.

  19. “The Pearl” by John Steinbeck B. Fate and human agency shape life. 1. Fate (things of circumstance) such as the scorpion bite and finding the great pearl, shape what is to become of Kino and Juana 2. Human agency (forms of greed, arrogance, ambition, and violence) facilitate outcomes and lead to conflicts.

  20. “The Pearl” by John Steinbeck C. Society’s oppression of native cultures causes destruction. 1. The doctor, who helps the oppression when he refuses to treat the baby, represents society’s oppression, as the European colonizers force the native Indian pearl divers and their people to submit to the new culture and ways.

  21. “The Pearl” by John Steinbeck IV. Motifs: A. Nature Imagery 1. Kino is connected to nature a. Brush house b. Pearl diver c. Night noises/morning 2. Sea struggles/Kino struggles 3. Ants and God/Kino and God

  22. “The Pearl” by John Steinbeck B. Kino’s Song 1. When Kino feels things, he hears a song in his head that corresponds to that feeling. a. Happy—song of family b. Dishonesty---song of Evil

  23. “The Pearl” by John Steinbeck V. Symbols: A. The Pearl: central to the novella it is left to each reader’s interpretaton. 1. At first, it is a symbol of hope for Coyotito’s future and a life free from oppression. 2. Once the village knows of “The Pearl of the World”, it becomes evil, a symbol of destruction of their culture, and it is greed and ambition, and it is a threat. 3. The pearl itself mirrors the changes that Kino goes through.

  24. “The Pearl” by John Steinbeck B. The Scorpion 1. This symbolizes evil that must come from the gods. 2. The scorpion usually is the destruction of innocence, as Kino shows in the destruction of his innocence of his culture and native traditional ways by his ambition and greed.

  25. “The Pearl” by John Steinbeck C. Kino’s Canoe 1. A means of making a living (both food and pearls) 2. Represents Kino’s link to cultural tradition passed down from generation to generation. 3. Kino’s decision to break with his cultural heritage and his greed of the pearl, leads directly to the destruction of the canoe. 4. The canoe represents his culture and traditions of his native people.

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