Art Movements of the Post WWI Years. 1919-1939. Raphaella W. DEF HGHS Chappaqua, NY. Essential Question: How were the emotions and actions of the aftermath of WWI expressed in the following art movements?. modernism. 1916 - 1940. Principles of Modernism.
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Art Movementsof the PostWWI Years 1919-1939 Raphaella W. DEF HGHS Chappaqua, NY
Essential Question: How were the emotions and actions of the aftermath of WWI expressed in the following art movements?
Principles of Modernism • The expression of the Artist’s right to freedom of choice in subject and style. • Departure from literal representation – no longer needed with birth of photography. • “Art for Art’s sake” • Reject tradition and society.
“Modernism” by the Critics “ For the younger artists of France have completely thrown overboard the ideals of perfection and form, of grace and measure and tranquility, which we are accustomed to think as their most valuable possession.” “…their (Dadaist’s) manifestos and tracts – with which it is proposed to ‘purge’ French art of its slavish subservience to rules.” from “The Aesthetic Upheaval in France” by Edmund Wilson Jr., Vanity Fair February 1922
“Modernism” by the Artists “ Seven years ago, I tried to make a painting that would live by its own resources…At the present time I am doing research in art. My conclusions? I cannot explain my present researches until I myself have evolved out of them, that is to say, until I have gone further in my artistic evolution.” Francis Picabia, quoted from “Francis Picabia and his Puzzling Art (an extremely modernized academician)”, from Vanity Fair November 1915
Dadaism (1916 – 1924) Bauhaus (1919 – 1933) Art Deco (1920 – 1935) Surrealism [early] (1920 - 1935) Art movements as part of Modernism
Tristan Tzara – founder of Dadaism “ Freedom : Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and all contradictions, grotesques, inconsistencies: LIFE” “Dada Manifesto” [1919]
Dadaism • Began in neutral Switzerland in WWI • Also big in Paris. • Reached its peak between 1916 – 1924 • “Anti – Art” • A movement against rigidity of society and art, and the barbarity of war – the public didn’t deserve art after the war.
Tristan Tzara • Born in Romania in 1896. • Lived most of his life in Paris. • Wrote the first Dada text, La Premiere Aventure celeste de Monsieur Antipyrine in 1916. • Penned the movements manifestos, Sept manifestes Dada, in 1924. • Became an active member of the French Communist Party in later life.
Characteristics of Dada Art • Nonsensical drawings • Pastel and faded colors • Used collages and layers – to confuse the “unworthy beholder.” • “The beginnings of surrealism” – many Dada artists went on to become members of the Surrealist movement. • Subjects sometimes mundane, called art as irony. (e.g.– bicycle wheel, flyer.)
Tristan Tzara (1896 – 1953) Francis Picabia (1879 – 1953) Kurt Schwitters (1887 – 1948) Max Ernst (1891 – 1976) Marcel Duchamp (1887 – 1958) Important Artists of the Dada Movement
Publications of the Dada movement • Many publications within Dada Movement • Was not only an art movement, but included poetry and theatre. • First publication - Cabaret Voltaire • Followed by Dada in July 1917 - an art and literature review organized by Tristan Tzara. • Other publications included Le courre a Barbe, Der Dada, De Stijl, Proverbe, & Freie Straße
Bauhaus • Began in 1919 with Bauhaus School in Weimar, Germany. • Lead by Walter Gropius, Hannes Meyer, & Ludwig Mies Van Der Rohe. • Wanted to create new art to reflect the new times they were living in after WWI. • Artist should be trained to work in the industry.
Walter Gropius • Born in Berlin in 1883 • Served as Sgt. Major in WWI. • In 1919 was employed as the new master of the Grand-Ducal Saxon School of Arts and Crafts in Weimar – became the Bauhaus School. • Fled Germany and the Nazi Party in 1934. • Died in Boston, MA in 1969.
Characteristics of Bauhaus • A lack of recognizable objects – wanted to find the true meaning of art through disassembling it. • Clean lines, geometric shapes layered. • In architecture: clean, functional. • Like Dadaism, was a step toward surrealism for artists such as Wassily Kandinsky. • Stylistic patterns altered as leaders of the school changed – earlier Bauhaus is different to later Bauhaus.
Important members of the Bauhaus school • Walter Gropius (1883-1969) • Wassily Kandinsky (1866-1944) • Josef Albers (1888-1976) • Herbert Bayer (1900 - 1985)
Art Deco • Center: Paris. • Gained the title “Art Deco” from Exposition Internationale des Arts Decoratifs et Industriels Modernes in 1925 • A new kind of decorative and elegant art. • Reached its high point in the mid ’20s – mid 30’s. • Reaction to the forced austerity caused by WWI.
Characteristics of Art Deco • Geometric shapes • Although not the flowing swirls of Art Nouveau, had bolder curves and less “fussy” designs. • Bold colors, and new ways of shading pictures. • Idealistic images of the “flaming youth” of the “roaring twenties”. • Carried a theme through pieces, especially in interiors and architecture.
Exposition Internationale des arts Decoratifs et Industriels Modernes • April – November 1925 • Held in Paris • To show the world that France once again led the way in a new evolving international style – “Art Deco”. • Changed the perception of Bauhaus, Colonial Art and, predominantly, the Art Deco style as legitimate movements.
Important Art Deco Artists • Tamara de Lempicka(1898 – 1980) • “Erte” - Romain De Tirtoff(1892 – 1990) • William Van Allen (1883 – 1954) • “Cassandre” - Adolphe Mouron (1901 – 1968)
