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Examples of perspectives made mostly with Photoshop

Examples of perspectives made mostly with Photoshop. DS+R Architects.

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Examples of perspectives made mostly with Photoshop

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  1. Examples of perspectives made mostly with Photoshop

  2. DS+R Architects Description: floor, roof, walls made in Rhino. Textures, materials, and people added in photoshop using the distort tool to stretch photos of textures into place. Pencil lines created by printing the rendering out, tracing over it with trace paper, scanning the traced lines back into the compute,r and layering them on top of the rendering in photoshop. **Make sure the scale of the materials and the textures is close to their actual size - don’t distort them to the point where they are out of scale.

  3. Architect: Judson Moore Description: This is a photograph of a chipboard study model. People and background image has been added in photoshop. The grass was created in photoshop using the grass shaped brush in photoshop. The color has been stylized to grey tones with a hint of color in photoshop to evoke a specific mood.

  4. Description: This is a photograph of a chipboard study model. People and background image has been added in photoshop. The grass was created in photoshop using the grass shaped brush in photoshop. The color has been stylized to grey tones with a hint of color in photoshop to evoke a specific mood.

  5. Student: Elizabeth Galvez Description: This is a photograph of a basswood model. People and background image has been added in photoshop. The color has been stylized to grey tones with a hint of color in photoshop to evoke a specific mood.

  6. Description: This is a photograph of a basswood model. People and background image has been added in photoshop. The color has been stylized to grey tones with a hint of color in photoshop to evoke a specific mood.

  7. RCR Architects Ambient Images Description: This rendering uses a rhino model just to get the basic outlines of the perspective, then in photoshop materials and people are added in order to produce an image which focusses less on depicting the actual reality as on communicating the material presence and play of light in the project. The color has been stylized very carefully to tones which evoke a specific mood/atmosphere.

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