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1. Erving Goffman and dramaturgy Life is like theatre?
Are we con artists or just actors?
A role is a performance
Issue of content vs. style (what we say or do and how we say it or do it)
We must pay attention to symptomatic elements (the parts of the performance that people will pay attention to)
2. Why is role playing like con artistry? Roles are really role expectations
Our audience only sees and makes judgments via whats on the surface
If style is crummy, we lose our audience
If style is great, we may keep our audienceeven if the content is crummy
So a cynical performance works as well as a sincere one
3. Role playing will affect General social acceptance/isolation
Relations with Significant Others
Jobs/careers
Problems with criminal justice or homeland security
The key is audiences!
4. So life has to be like theater How?
Roles
Scripts
Rehearsals
Costumes
Dramatic realization
Front and back stages
Props
Settings
Ad libbing
5. How is life not like theater? Goffman says theres only one clear way
In theater, but not in life, we dont want to be confused with the character we are playing
Im not a doctor but I play one on TV (actor Robert Young, Marcus Welby, MD, in a TV ad he did for an aspirin product)
6. How can we achieve dramatic realization? Dramaturgical loyalty sometimes work as a team (Goffman on mental hospitals)
Dramaturgical circumspection be aware of potential problems and dangerous situations
Characteristics of your audience
Breaking the frontstage/backstage barrier
Dramaturgical discipline practice not giving away the role even when upset
Perry Mason problem
How Vincent DOnofrio always wins on L&O: CI
7. Finally: sometimes the audience can help Tactful inattention
Keeping secrets (essentially become part of a team)
8. Billy Tipton How do all or some of these things apply?
http://www.inthelifetv.org/html/episodes/31.html
Try out some possibilities
9. How Common are Phony Claims of Expertise or Training? MIT Dean of Admissions scandal: http://www.thecrimson.com/printerfriendly.aspx?ref=518567
FEMA official diploma mill issue:
http://seattletimes.nwsource.com/cgi-bin/PrintStory.pl?document_id=2002484649&zsection_id=2002111777&slug=pennington10m&date=20050910
10. Stigma Book subtitle: Notes on the management of spoiled identity
Social identity is what and who people think you are
We already know identity is complicated:
Similar to the content vs. style issue, virtual vs. actual social identity
Existence of potentially discrediting information
Existence of information that could be spun to discredit (not from Goffman, but real)
11. What can discredit? Physical problem
Character problem
Tribe or membership
12. More specific stigmatizing things Appearance
Disabilities/deformities
Abilities
Behaviors
Sexuality
Level of education
Criminal background
Professions
Beliefs
Faith & membership
Fantasies
Class
Style
Almost anything -- depending
13. How to deal with personally? Accept norms but say they dont apply to oneself
Reject the community and its norms
Accept as something to be managed
14. How to deal with in practical terms Cover up
Physical cover-up via clothing, etc.
Hide socially
New life -- Prostitute turned soccer mom
(May include hiding information from significant others)
Even overtly reject the stigmatized group
Overtly reject the stigma
COYOTE (sex-workers organization)
15. The stigmatized vs. normals Normals are simply those who are easily accepted as one of us in the particular circumstances
Whats the difference between normal and a discreditable person?
Not clear! Normals may be discreditable
16. W. E. B. DuBois Race and stigma
Passing as a way to avoid stigma
Civil Rights Movement as a way to end stigma