1 / 4

Romantic Revival: Pre-Raphaelites' Truth to Nature

Explore the Pre-Raphaelites' movement challenging 19th-century art norms, embracing Romanticism, realism, symbolism, and vivid, emotional subjects from a Renaissance-inspired viewpoint. Dive into their captivating artworks like "Ophelia," "Hylas and the Nymphs," and "Flaming June."

benedict-frost
Télécharger la présentation

Romantic Revival: Pre-Raphaelites' Truth to Nature

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Pre-Raphaelites • End of the 19th century (Victorian Era), a group of artists sought to bring English art back to a greater “truth to nature” – opposing the frivolous art of their time. • They admired early 15th century Renaissance art, so called themselves the “Pre-Raphaelites” (before Raphael) • Highly influenced by Romanticism • Subject Matter: based on stories (often Romantic or Religious) • Approach: • Imitational – they insisted on painting from direct observation for accuracy in order to capture details realistically • Emotional – returned to the medieval concepts of emotion & drama • Evenly lit paintings / often including bright colours & details • Incorporated Symbolism & Realism together

  2. 35. John Everett Millais. Ophelia. (1851-1852) Oil on canvas.

  3. 36. John William Waterhouse. Hylas and the Nymphs. (1896) Oil on canvas.

  4. 37. Frederic Leighton. Flaming June. (1895) Oil on canvas.

More Related