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Come behind the scenes of a mockumentary that parodies commercial current affairs programs with verisimilitude, based on familiar real-life situations. Explore the world of foot-in-the-door journalism, cheque book journalism, and the impact of the ratings system with a satirical twist. Delve into the contrast between on-screen personas and private characters, spoofing the frenzy over sensational stories. This episode criticizes the practices of commercial current affairs programs and exposes the pressures in TV that hinder authenticity, highlighting the media's exploitation of ordinary tragedies for ratings. Uncover the facade of hosts and society's obsession with sensationalism through witty humor and biting satire.
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Humour in The Siege A mockumentary?
Parody of a documentary • Hand-held camera • Behind-the-scenes footage • Verisimilitude—Neil Mitchell; Mike Munro; Channel Nine • Based on a real life situation with which viewers would have been familiar
Satiric view of commercial Current Affairs programmes • Violation of the Code of Ethics • Foot-in-the-door journalism • Cheque book journalism • Commercial stations’ rivalry • Impact of the ratings system • The host and importance of image • Treatment of truth
Mike Moore’s persona • Contrast between Moore’s onscreen persona and his private character • His concerns, interests and attitudes • His appearance and body language • Brian Thompson and Martin Di Stasio’s attitude to him
The Frontline office • The real force in the office--Emma, Kate • Brian Thompson’s agenda—presenter of truth or creator of ratings? • Irony in the frenzy over the story
Types of humour in the episode • Black humour • Humour of character • Satire • Incongruity • Caricature • Parody • Irony • Visual humour • exaggeration
The ideas behind the episode: • Criticism of the practices of commercial Current Affairs programmes • Satirises the treatment of truth by journalists • Exposes the pressures in Television that work against honesty—ratings; importance of vision; creating and maintaining ‘personalities’ • Emphasises how the media feeds off the ordinary tragedies of the little people in society, that is, those who are vulnerable
Exposes the façade of the host—a construct of reliability • Satirises society’s interest in sensational stories