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Fundamentals of Audio Production

Fundamentals of Audio Production. Chapter Four: Microphones. Microphone types. Dynamic Condenser Ribbon Piezoelectric Carbon (See Chapter 2, “Capturing Sound Electronically,” for details). Dynamic. Condenser. Ribbon. Polar patterns. Cardioid or “heart-shaped. Polar patterns.

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Fundamentals of Audio Production

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  1. Fundamentals of Audio Production Chapter Four: Microphones Fundamentals of Audio Producion. Chapter 4

  2. Microphone types • Dynamic • Condenser • Ribbon • Piezoelectric • Carbon (See Chapter 2, “Capturing Sound Electronically,” for details) Fundamentals of Audio Producion. Chapter 4

  3. Dynamic Fundamentals of Audio Producion. Chapter 4

  4. Condenser Fundamentals of Audio Producion. Chapter 4

  5. Ribbon Fundamentals of Audio Producion. Chapter 4

  6. Polar patterns • Cardioid or “heart-shaped Fundamentals of Audio Producion. Chapter 4

  7. Polar patterns • Hypercardioid Fundamentals of Audio Producion. Chapter 4

  8. Polar patterns • Bidirectional Fundamentals of Audio Producion. Chapter 4

  9. Polar patterns • Omnidirectional Fundamentals of Audio Producion. Chapter 4

  10. Specialized microphones • Lavaliere Fundamentals of Audio Producion. Chapter 4

  11. Specialty microphones Boundary effect Fundamentals of Audio Producion. Chapter 4

  12. Specialty microphones Boundary effect Fundamentals of Audio Producion. Chapter 4

  13. Proximity effect • In cardioid microphones, the closer the microphone to the audio source, the more emphasis on the low frequencies. • That is, moving the microphone closes emphasizes low frequencies. • Compensate with a bass roll-off switch Fundamentals of Audio Producion. Chapter 4

  14. Bass roll off Fundamentals of Audio Producion. Chapter 4

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