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Much Ado About Nothing Jeopardy

Much Ado About Nothing Jeopardy. Plot (M.C.). Themes (S.A.). The Female Voice/Emma (S.A.). Literary Terms (Matching). Quote I.D. (Naming). Vocabulary (Sentences). Renaissance History (M.C.). 100. 100. 100. 100. 100. 100. 100. 200. 200. 200. 200. 200. 200. 200. 400. 400.

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Much Ado About Nothing Jeopardy

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  1. Much Ado About Nothing Jeopardy

  2. Plot (M.C.) Themes (S.A.) The Female Voice/Emma (S.A.) Literary Terms (Matching) Quote I.D. (Naming) Vocabulary (Sentences) Renaissance History (M.C.) 100 100 100 100 100 100 100 200 200 200 200 200 200 200 400 400 400 400 400 400 400 600 600 600 600 600 600 600 800 800 800 800 800 800 800

  3. FINAL JEOPARDY Name 2 of Shakespeare’s comedies, 2 of his tragedies, and 1 of his histories. You cannot include Much Ado About Nothing.

  4. Who refuses to marry in the beginning of the play? Benedick and Beatrice

  5. Why is it necessary for Hero to seem to die? Because her reputation has been publicly tarnished

  6. What does the “savage bull” symbolize? A man who refuses to marry for fear of becoming a cuckold

  7. What is Balthasar’s song in Act II about? The infidelity of men

  8. When refusing to marry Hero, Claudio tells Leonato to take the ___ ___ back. Hint: It’s a metaphor. Rotten orange

  9. Name 2 different types of comic relief. Benedick/Beatrice – witty banter Dogberry - malapropism

  10. Explain the two different female voices in Much Ado. Hero - traditional Beatrice - rebellious

  11. Name one example of “good” deception and one example of “bad” deception. What is this theme? Good = Benedick/Beatrice trickery Bad = Don John Appearance vs. Reality

  12. Name two metaphors Shakespeare uses for love. War/Battle Game

  13. What initiates the clash of masculine and feminine worlds at the beginning of the play? Give me one example of this in the play. Men coming home from war Benedick not knowing how to deal with love, Hero getting slandered, Beatrice…

  14. Contrast a character from Emma with one from Much Ado. Emma/Hero, Harriet/Beatrice, Mr. Knightley/Benedick…

  15. Talk about “The Female Voice” in any work we have read exceptMuch Ado. Marji, Antigone, Emma, women in Joy Luck

  16. Describe an instance of Emma-like parody in Much Ado. Dogberry, the watch, Benedick and Beatrice

  17. Name one instance of heightened drama in Much Ado and compare it to one in Emma. Harriet at the ball/Hero being shamed (public humiliation), Ben and Beatrice realizing they love each other/Emma realizing she loves Knightley

  18. Give 2 examples of appearance vs. reality in Emma. Characters’ personalities, love triangles…

  19. “Very easily possible: he wears his faith but as the fashion of his hat; it ever changes with the next block.” Simile

  20. “But speak you thiswith a sad brow? or do you play the flouting Jack, to tell us Cupid is a good hare-finder and Vulcan a rare carpenter?” Allusion

  21. “I would eat his heart in the marketplace.” Hyperbole

  22. “I wonder that you will still be talking.” Assonance

  23. "That what we have we prize not to the worthWhiles we enjoy it; but being lacked and lost,Why, then we rack the value, then we findThe virtue that possession would not show usWhiles it was ours." Metaphor

  24. “One word, sir: our watch, sir, have indeedcomprehended two aspicious persons, and we would have them this morning examined before your worship.” Dogberry

  25. "Alas! he gets nothing by that. In our lastconflict four of his five wits went halting off, and now is the whole man governed with one: so that if he have wit enough to keep himself warm, let him bear it for a difference between himself and his horse.” Beatrice

  26. "Sweet prince, let me go no farther to mine answer:do you hear me, and let this count kill me. I havedeceived even your very eyes: what your wisdomscould not discover, these shallow fools have broughtto light: who in the night overheard me confessingto this man how Don John your brother incensed meto slander the Lady.” Borachio

  27. "Then sigh not so, but let them go,And be you blithe and bonny,Converting all your sounds of woeInto Hey nonny, nonny." Balthasar

  28. “Hath no man’s dagger here a point for me?” Leonato

  29. Turncoat (n.) • a person who changes to the opposite party or faction, reverses principles

  30. Libertine (n.) • a man who is morally or sexually unrestrained

  31. Fleer (v.) • jeer, mock

  32. Foreswear (v.) • repudiate, renounce (under oath)

  33. Wonted (adj.) • accustomed, habitual

  34. Name the two languages most studied during the Renaissance. Latin and Greek

  35. What does the warning on Shakespeare’s grave say? Anyone who moves his bones shall be cursed.

  36. How many brothers and sisters did Shakespeare have? 8

  37. DAILY DOUBLE: According to humanism, what was the ideal situation on earth? • Humans reaching their full potential

  38. What is the word that describes interpreting reality through human values and experiences? Anthropocentrism

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