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groping . . . … and reaching

creati ng…. recognition -. feedback. receiver. result of communication. sender. contact eXchange dialogue. groping . . . … and reaching. filling up the created structure with more content. o ne element of in-formation. o ne moment of in-formation. mome nt-to-moment.

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groping . . . … and reaching

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  1. creating… recognition - feedback receiver result of communication ... sender contact eXchange dialogue groping . . . … and reaching filling up the created structure with more content

  2. one element of in-formation

  3. one moment of in-formation moment-to-moment grouped moments sections whole structures: overallmessage archaic architecture... appearance- impression

  4. modernist architecture…

  5. more variation becomes possible …

  6. post- modern…

  7. anarchy ??

  8. relative hierarchy

  9. sources: • Mary O‘Donnell: lectures at Dance Unlimited, Arnhem (Netherlands) 2002-2004 • M. O‘Donnell: Open Form Composition. Report Bristol Workshop 2008. http://www.streamxs.nl/releasedance/pdf/Report-Bristol%20wrkshp2008.pdf • Iannis Xenakis: „...the sonorities of the orchestra are building materials, like brick, stone and wood...“ from Hoffmann, "Iannis Xenakis," The New Grove Dictionary of Music and Musicians, p. 607. quote from article by Markos Zografos “Iannis Xenakis. The aesthetics of his early works”: http://www.furious.com/perfect/xenakis.html

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