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Exploring Structure and Communication in Contemporary Art and Architecture

This discourse delves into the intricate relationship between communication, recognition, and the evolving nature of structures in art and architecture. By examining the interplay of modernist and post-modernist ideologies, we learn how dialogue and feedback shape artistic expressions. Referencing lectures by Mary O'Donnell and the theories of Iannis Xenakis, we explore how sound and architectural forms serve as building materials for creative environments. The result is a reflection on the aesthetics that influence both the viewer's impression and the artist's intent.

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Exploring Structure and Communication in Contemporary Art and Architecture

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Presentation Transcript

  1. creating… recognition - feedback receiver result of communication ... sender contact eXchange dialogue groping . . . … and reaching filling up the created structure with more content

  2. one element of in-formation

  3. one moment of in-formation moment-to-moment grouped moments sections whole structures: overallmessage archaic architecture... appearance- impression

  4. modernist architecture…

  5. more variation becomes possible …

  6. post- modern…

  7. anarchy ??

  8. relative hierarchy

  9. sources: • Mary O‘Donnell: lectures at Dance Unlimited, Arnhem (Netherlands) 2002-2004 • M. O‘Donnell: Open Form Composition. Report Bristol Workshop 2008. http://www.streamxs.nl/releasedance/pdf/Report-Bristol%20wrkshp2008.pdf • Iannis Xenakis: „...the sonorities of the orchestra are building materials, like brick, stone and wood...“ from Hoffmann, "Iannis Xenakis," The New Grove Dictionary of Music and Musicians, p. 607. quote from article by Markos Zografos “Iannis Xenakis. The aesthetics of his early works”: http://www.furious.com/perfect/xenakis.html

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