1 / 20

Using Computation for Effective Color Facade Design in Architecture

This study explores the application of computational tools in color facade design within architecture, focusing on creating harmonious and visually appealing exteriors. By utilizing various color harmony rules and systems, including RGB and Munsell, designers can generate customized color palettes that enhance facades' identity and integration. We examine the complexities of color combinations, the significance of environmental colors, and the challenges faced when interpreting results due to conflicting color systems. Recommendations for software improvements and design strategies are also provided.

duscha
Télécharger la présentation

Using Computation for Effective Color Facade Design in Architecture

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. COMPUTATION AS A TOOL FOR COLOUR FACADE DESIGN Sally Semple Scott Chase Department of Architecture

  2. “And the hanging for the gate of the court was needlework, of blue and purple and scarlet and fine twined linen... ” Exodus 38.16

  3. Tobermory

  4. Burano

  5. Turin

  6. Chateau-Doble Chateau-Double apartments (Lenclos)

  7. Dulux paints

  8. Identity Similarity Contrast Harmony

  9. Moon & Spencer: Colour harmony rules

  10. RGB vs. Munsell systems

  11. complexity of exterior colour

  12. Example: Glasgow terrace

  13. Adaptation of Moon & Spencer to Windows HSL

  14. Two step process • Generate the colour palette • Generate the set of colour combinations Parameters • Environmental colours • Undesirable hue ranges • Identity level • Similarity range • Contrast level • Step (granularity) • Manually alter the values for saturation and value Colour Combinations software

  15. Colour Combinations interface

  16. Design for contrast: “Burano” palette

  17. Design for integration: “Chateau-Double” palette

  18. Design for harmony

  19. Harmony definitions limited to hue • Excessive computation time for more than 50 hues • High knowledge of colour harmony and systems needed to adjust variables and interpret results • Conflict between Munsell and HSL colour systems produces distortions in harmonies • Manual selection and development required to produce useable designs Limitations

  20. Input by colour rather than number • Output format to allow better assessment of scheme in context • Allow a variety of facade forms rather than single example • Use different elements to establish context or provide unifying colour • Fix specific colours within a scheme or limit specific elements to their own palettes • Specify patterns or rhythms within a colour scheme • Allow variation in saturation and value • Address relative complexity of the design involving form and area of design elements • Use a more perceptually accurate colour system than HSL Possible further development

More Related