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Kenji Hakuta

Kenji Hakuta. Karla Pereyra Salgado Prof.Evelyn Lugo EDUC 413. Kenji Hakuta.

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Kenji Hakuta

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  1. Kenji Hakuta Karla Pereyra Salgado Prof.Evelyn Lugo EDUC 413

  2. Kenji Hakuta • On our tour through the different perspectives of second-language learning, we have scrutinized and dismantled this situation as the I learning of a sequence of sounds, word meanings, and sentence constructions. We have also contemplated the value of looking to neural activities and other individual proclivities of the learner to explain what is going on. But we have set aside up to this point what is, in many ways, the essence of language the social and cultural part of the drama. Although we have come to some important insights about language by treating it in a relative vacuum, the life of language.

  3. Kenji Hakuta • To understand the limitations of the analysis of language that we have employed up to now, let us meditate on the language teacher’s question: ”Where is the pencil!” The point of the lesson is to teach the student how to ask questions, but what is peculiar about this question? When you think about it, the question is completely staged. • In fact, it is not a question at all, because the teacher already knows the answer. What the teacher is really saying is: “Show me that you know how to answer this question.”

  4. Kenji Hakuta • The teacher goes on to “ask the student: “Please give me the pencil.” • Here the teacher is trying to demonstrate the imperative form of English (usually at this stage it is taught that “you” is omitted and "please” makes it more polite). Outside of a classroom demonstration, this command would strike us, depending on the intonation, as anywhere from pleading to brusque, but, in either case, quite direct.

  5. Kenji Hakuta • It is not the way in which most requests are made. Upon closer examination we note that the linguistic form of choice for indirect imperatives in English is the question: “Have you seen the pencil?” Or, even better: “Where is the pencil?” • The exciting challenge for teachers and learners of a second language, • from a cultural perspective, is to construct a context for creative and • meaningful discourse by taking full advantage of the rich personal, • cultural, and linguistic backgrounds of all the participants.

  6. Who is Kenji Hakuta? • is the Vida Jacks Professor of Education at Stanford University. As of July 1, 2003, he assumes a new position as Founding Dean of the School of Social Sciences, Humanities and Arts at the University of California, Merced. He is an experimental psycholinguist with research interests in bilingualism, second language acquisition, and education. He has chaired a committee for the National Research Council on the education of language minority students, and has served on a number of NRC committees on education. He chaired the National Educational Research Policy and Priorities Board through the life of the last re-authorization of OERI at the U. S. Department of Education, and presently serves on the Boards of the Spencer Foundation and the Educational Testing Service.

  7. Kenji Hakuta Contribution to Education • Kenji Hakuta, a Stanford University scholar who strives to improve education opportunities for language minority students, will deliver the Seventh Annual Brown Lecture in Education Research here next month. Hosted by the American Educational Research Association (AERA), this lecture commemorates the historic Brown v. Board of Education decision of the U.S. Supreme Court and features significant scholarship that advances equality and equity in education.

  8. “ The bilingual presents a packaging puzzle as it were in which two language-bounded mental and social system must be housed in a single mind.” Kenji Hakuta

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