1 / 58

Major Triad (chord)

Major Triad (chord). A chord is three or more notes played simultaneously. Major Triad (chord). A chord is three or more notes played simultaneously Two notes played together is not a chord, but it can suggest a chord. Major Triad (chord).

iolana
Télécharger la présentation

Major Triad (chord)

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Major Triad (chord) • A chord is three or more notes played simultaneously

  2. Major Triad (chord) • A chord is three or more notes played simultaneously • Two notes played together is not a chord, but it can suggest a chord

  3. Major Triad (chord) • By definition the first, third, and fifth tones of the major scale are the tones that comprise a Major Chord • If we look at a C scale • C D E F G A B C

  4. Major Triad (chord) • By definition the first, third and fifth tones of the major scale are the tones that comprise a Major Chord • If we look at a C scale • C D E F G A B C • C is the First

  5. Major Triad (chord) • By definition the first, third and fifth tones of the major scale are the tones that comprise a Major Chord • If we look at a C scale • C D E F G A B C • C is the First • E is the Third

  6. Major Triad (chord) • By definition the first, third and fifth tones of the major scale are the tones that comprise a Major Chord • If we look at a C scale • C D E F G A B C • C is the First • E is the Third • G is the Fifth

  7. Major Triad (chord) • Do you remember our scales from the last session? • Let’s look at how the C scale in a linear form.

  8. Major Triad (chord) • A major triad consists of the first tone, the third tone, and the fifth tone of the major scale. (I-iii-V) • That is for a C chord we have the first tone (or root), C; the third tone, E; and the fifth tone G.

  9. Major Triad (chord) • If we look at a G scale • G A B C D E F G • G is the First • B is the Third • D is the Fifth

  10. Major Triad (chord) • We can get all the Major chords in a similar way • Let’s look at this from last month

  11. Major Triad (chord) • We can get all the Major chords in a similar way • Let’s look at this from last month First

  12. Major Triad (chord) • We can get all the Major chords in a similar way • Let’s look at this from last month Third First

  13. Major Triad (chord) • We can get all the Major chords in a similar way • Let’s look at this from last month Third Fifth First

  14. Major Triad (chord) • The common chords you most likely will play are:

  15. Minor Triad (chord) • To make a minor chord you take the major chord and flat the third

  16. Dominant Seventh Chord • To make a dominant seventh chord (G7, D7, E7, etceteras) you add a flatted (or minor) seventh to the major chord.

  17. Dominant Seventh Chord • You may wonder why we added a flatted seventh to the major chord. • Observe the proper name for the chord is the Dominant Seventh Chord. • That means we took the chord from another scale — the scale for which the seventh chord is the dominant tone. (I.E. the fourth.) • G7 comes for the C scale, D7 comes from the G scale, etceteras.

  18. Other Chords A sixth chord is the I-iii-V-vi A ninth chord is the I-iii-V-ix A six-nine chord is I-iii-V-vi-ix A major seventh chord is I-iii-V-viiio An augmented chord is I-iii-#V A diminished chord is I-biii-bV- A diminished seventh chord is I-biii-bV-bbvii

  19. Other Chords A minor sixth chord is the I-biii-V-vi A minor ninth chord is the I-biii-V-ix A minor six-nine chord is I-biii-V-vi-ix A minor (dominant) seventh chord is I-biii-V-bviiio

  20. Chord Inversions • There are three different ways to play a Major Chord

  21. Chord Inversions • There are three different ways to play a Major Chord • The root position G E C

  22. Chord Inversions • The first inversion C G E

  23. Chord Inversions • The second inversion E C G

  24. Chord Inversions • All three together Root First Inversion Second Inversion G C E EG C C EG Inversions apply to all chords not just major chords

  25. Chord Doubling • There are only three tones in a Major Chord • The root, the third, and the fifth

  26. Chord Doubling • There are only three tones in a Major Chord • The root, the third, and the fifth • If we have fourth tone and one of the tones is repeated at a different octave, that is called doubling

  27. Chord Doubling • There are only three tones in a Major Chord • The root, the third, and the fifth • If we add fourth tone and one of the tones is repeated at a different octave, that is called doubling (within a chord) C G E C

  28. Chord Doubling • Doubling may be done in any inversions. • Any tone in a chord can be doubled • If you have five, six, seven, etceteras, tones in a chord and all the tones are either the root, third, or fifth tones, it is doubling. • Doubling may be done in any chord not just a major chord.

  29. Chords • There are some things you should know about a Major Chord

  30. Chords • There are some things you should know about a Major Chord • The harmonic interval between the root and the third is a Major Third

  31. Chords • There are some things you should know about a Major Chord • The harmonic interval between the root and the third is a Major Third • The harmonic interval between the root and the Fifth is a Perfect Fifth

  32. Major Chord • There are some things you should know about a Major Chord • The harmonic interval between the root and the third is a Major Third • The harmonic interval between the root and the Fifth is a Perfect Fifth • The harmonic interval between the third and the fifth is a Minor Third

  33. Major Chord • Let’s graphically look at a major chord G Minor Third E Perfect Fifth Major Third C

  34. Minor Chord • There are some things you should know about a Minor Chord

  35. Minor Chord • There are some things you should know about a Minor Chord • The harmonic interval between the root and the third is a Minor Third

  36. Mlnor Chord • There are some things you should know about a Minor Chord • The harmonic interval between the root and the third is a Minor Third • The harmonic interval between the root and the Fifth is a Perfect Fifth

  37. Minor Chords • There are some things you should know about a Minor Chord • The harmonic interval between the root and the third is a Minor Third • The harmonic interval between the root and the Fifth is a Perfect Fifth • The harmonic interval between the third and the fifth is a Major Third

  38. Minor Chords • Let’s graphically look at a minor chord G Major Third Eb Perfect Fifth Minor Third C

  39. Augmented Chords • There are some things you should know about a Augmented Chords

  40. Augmented Chords • There are some things you should know about a Augmented Chords • The harmonic interval between the root and the third is a Major Third

  41. Augmented Chords • There are some things you should know about a Augmented Chords • The harmonic interval between the root and the third is a Major Third • The harmonic interval between the root and the Fifth is a Augmented Fifth

  42. Augmented Chords • There are some things you should know about a Augmented Chords • The harmonic interval between the root and the third is a Major Third • The harmonic interval between the root and the Fifth is a Augmented Fifth • The harmonic interval between the third and the fifth is a Major Third

  43. Augmented Chords • A graphic look at an augmented chord G# Major Third E Augmented Fifth Major Third C

  44. Augmented Chords • There are only four augmented chords • C E G# (E G# B#) (G# B# D##) Ab • G B D# (B D# F##) (D# F## A##)  Eb • F A C# (A C# E#) (C# F A) • D F# A# (F# A# C##) (A# C## E##) Bb

  45. Diminished Chords • There are some things you should know about a Diminished Seventh Chords

  46. Diminished Chords • There are some things you should know about a Diminished Seventh Chords • The harmonic interval between the root and the flatted third is a Minor Third

  47. Diminished Chords • There are some things you should know about a Diminished Seventh Chords • The harmonic interval between the root and the flatted third is a Minor Third • The harmonic interval between the flatted third and the flatted fifth is a Minor Third

  48. Diminished Chords • There are some things you should know about a Diminished Seventh Chords • The harmonic interval between the root and the flatted third is a Minor Third • The harmonic interval between the flatted third and the flatted fifth is a Minor Third • The harmonic interval between the flatted fifth and the double flatted seventh is a Minor Third

  49. Diminished Chords • A graphic look at a diminished chord Bbb Minor third Gb Minor third Eb Minor third C

  50. Diminished Chords • There are only three diminished seventh chords • C Eb Gb Bbb • (Eb Bbb Dbb) (Gb Bbb Dbb Fbb) • (Bbb Dbb Fbb Gb) A • G Bb Db Fb • (Bb Dbb Fbb Abb) (Db Fb Abb Cbb) • (Fb Abb Cbb Ebbb) E • F Ab Cb Eb • (Ab Cb Eb Gbb) (Cb Eb Gb Bbb) B • (Eb Gb Bbb Dbb)

More Related