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Henri Matisse 1869-1954

Henri Matisse 1869-1954. 1906, Copenhagen. “Expression, for me, does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive; the place occupied by the figures, the empty spaces around

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Henri Matisse 1869-1954

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  1. Henri Matisse 1869-1954 1906, Copenhagen “Expression, for me, does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive; the place occupied by the figures, the empty spaces around them, the proportions, everything has its share.” – Henri Matisse, 1908, Notes of a Painter

  2. Early Career and Influences • Born in Cateau –Cambresis Northern France to parents who were shopkeepers • Trained in Law and worked as a clerk in a law firm from 1889-1891 while taking courses in tapestry and textile design • Abandoned law to the disapproval of his parents in 1891 to devote himself to art. • 1892 Enrolled in Bourguereau’s class at Academie Julien. • 1894 His daughter Marguerite was born to Caroline Joblaud • 1895 Spotted by Gustave Moreau and invited to join his course at Ecole Des Beaux Arts Still life with Books First painting 1890 Wm. Bourguereau Work Interrupted 1891

  3. Gustave Moreau Symbolist painter 1826-1898 Jupiter and Semele 1894-95

  4. Early Career and Influences • 1897 first saw Impressionist paintings at the exhibition of the Caillebotte bequest • 1898 married AmelieParayre, honeymooned in London where he saw Turner works. • 1898 first sight of Signc’s work and that of Neo Impressionists • Visited Corsica and South of France, influenced by dazzling light • 1899 Birth of son Jean • Purchased work by Van Gogh and Cezanne Afternoon at the Grande Jatte Georges Seurat 1884-86 The Jetty at Cassis Paul Signac 1889

  5. Paul Cezanne Three Bathers 1879-82 Purchased by Matisse because “The proportion of the hand of the walking woman with respect to the composition as a whole”

  6. Early Work“ I put figures in my still life” The Dinner Table 1896-97

  7. Early Work Dishes and Fruit (1901), Fruit and Coffeepot (1898),

  8. Early Work Dishes and Fruit (1901), Fruit and Coffeepot (1898),

  9. Signac’s Influence in St Tropez Luxe, Calme et Volupté, 1904 The Gulf at St Tropez 1904

  10. With Andre Derain in Collioure Fauvism- “Wild animals with pure orgy of colour” Open windowat Collioure, 1905 «  The atmosphere of the landscape and my room are one and the same   » Woman with a Hat, 1905. “ to paint a human face as though it were a wild jarring patchwork of distinct yet equally intense compartments of colour”

  11. “Fauvism was a brief period during which we thought it necessary to exalt all colours together and sacrifice none of them” View of Collioure ,1905

  12. 1906-1908A north African Venus Blue Nude; In memory of Biskra, 1907 Two Women ,1907 Combines the way women are treated in African and classical sculpture

  13. Picasso and Matisse Met around 1905 and were lifelong friends and rivals. Matisse introduced Picasso to the art of Africa. Matisse was Pablo Picasso's senior by twelve years, and the two men could not have been more different. Reserved and dignified, Matisse was the image of respectability. Aggressive and egotistical, Picasso considered himself superior to every person he ever met. Nude with raised arms, Picasso, 1907

  14. Matisse responds to Picasso Bathers with a Turtle, 1908 Bathers with a Turtle 1908 Matisse countered Picasso’s Cezanne inspired Cubism with these monumental compositions that stress harmonious ,expressive body movement Le Luxe, 1907-08 Decorative interpretation of Cezanne through Gauguin

  15. Love of Decoration The Red Studio, 1911 Harmony in Red, 1908 “By late 1907 Matisse’s work showed conflicting tendencies ; on the one hand , a decorative style with unmodulated fields of brilliant colour; on the other , a virtually achromatic , volumetric approach”

  16. Dance and Music 1909 • Painted for Sergey IvanovichShchukin a Russian collector of Matisse’s work • Rejected at first because of their critical reception but later accepted

  17. Bathers by a River 1909-1916“anxieties induced by impending war”

  18. Sculpture Night Michelangelo Marble, 1526-1533 Large seated Nude Matisse Bronze 1922-29

  19. 1919-1930“Painting as a source of undisturbed pleasure” Reclining Odalisque 1927 The Moorish screen 1921

  20. Barnes Commission Dance1931 (Mural)

  21. Paper Cut Outs“Matisse's flat, abstracted forms and large areas of pure colour marked an important change in the direction of his later work ” Icarus from Jazz 1947 Cover of Jazz, book of 100 prints 1947 Stencils

  22. Pasiphae, Song of Minos 1944 Lino prints

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