1 / 35

English A Language and Literature

English A Language and Literature. Paper One Higher Level. Paper 1. You are given four texts – two in Section A, two in Section B Choose the two texts from either A or B and write a comparative commentary / analysis on them.

kalona
Télécharger la présentation

English A Language and Literature

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. English A Language and Literature Paper One Higher Level

  2. Paper 1 • You are given four texts – two in Section A, two in Section B • Choose the two texts from either A or B and write a comparative commentary / analysis on them. • One will be a literary text (poem, excerpt from a novel, story, etc) and the other a non-literary text (article, etc). • One of the texts might be a visual text i.e. a cartoon, image or graphic design.

  3. The instructions on the exam paper • Choose either Section A or Section B. • Analyse, compare and contrast the following two texts. Include comments on the similarities and differences between the texts and the significance of context, audience, purpose, and formal and stylistic features.

  4. Goal of the analysis • How do they (context, audience, purpose, formal and stylistic features) work together to create the message and its meaning to fulfil each writer’s purpose? • Discover the similarities and differences between the texts.

  5. Criteria • Criterion A - Understanding and comparison of the texts - 5 marks • The analysis should show and understanding of the similarities and differences between the texts. There needs to be a clear understanding of the target audience, the purpose and the context (where possible) of the text. The comparative analysis must be supported by relevant examples from the texts.

  6. Criteria Criterion B - Understanding of the use and effects of stylistic features - 5 marks • The comparative analysis should show an understanding of how various stylistic features, such as tone, style and structure, are used to construct meaning. The analysis should comment on the effects that these features have on their target audience.

  7. Criteria Criterion C - Organization and development - 5 marks • The analysis must be well balanced, meaning that it treats both texts equally. Furthermore, it must be well structured, coherent and organized. Criterion D - Language - 5 marks • The language of the comparative analysis must be clear and accurate. It should be appropriate, meaning it contains formal sentence structure, good choice of words and effective terminology.

  8. Basic approach The Big 5 • Audience / purpose • Content / theme • Tone / mood • Stylistic devices • Structure

  9. Structure of commentary • Write one paragraph for each of the topics in The Big 5. • Compare and contrast both texts in each of these paragraphs. • Study the sample answers in your Paper 1 dossier. • Study the opening paragraphs. • Analyse the structure of the commentary. • Study the conclusions.

  10. Opening paragraph • What kind of texts are they? • Who wrote them? • When were they published/written? • Where were they published (if known)? • What are the main ideas and supporting ideas • What is the *purpose of each text? • Who is the *audience for each text? • What are the basic differences and similarities? * You will need to collect evidence to justify these points in more detail in the next paragraph.

  11. Context • External factors which influence the purpose, content and style of the text. • Study the information given about the text. • Year and place of publication • Type of publication (commercial website, newspaper, government office, etc.) • Gives you idea of possible audience.

  12. Audience Make an informed guess but look for clues: • In the context information. • In the way the text is presented e.g. images, headlines, type face, etc • In the content of the text. • In the language style and tone of the text. • Could be for the general public or a specific group (age, gender, education, interests, level of expertise, etc).

  13. Purpose • Every text is written with a purpose in mind. • Every writer wants to produce an effect on a reader. • The effect could be «to take some kind of action» , «to feel something», «to think something», «to know something». • See the next slide for purpose verbs.

  14. Purpose words • to inform • to explain to the reader … • to persuade the reader that … • to convince the reader that … • to argue that … • to entertain readers of … by … • to express (regret, sorrow, anger, joy, confusion … etc) • to demonstrate that … • to set the scene • to evoke a sense of .... / a feeling of ... / memories ... / associations with ... • to celebrate the fact that ... • to promote the view that ... • to criticise ... • to make the point that ... • to highlight ... • ... add some more verbs of your own (use a Thesaurus to help you)

  15. Formal featuresstructure and structures News report / article • headline, type face, attention grabbing introduction, newsworthy content, short paragraphs, interviews and quotes, balance, sensationalism, facts and figures, expert opinion, etc

  16. Formal featuresstructure and structures Advertisement • Image • Copy (= text) • Slogan • Signature or logo • Association • Study chapters 3 and 4 in your textbook

  17. Formal features Poetry - verse • Number of stanzas? How many lines in each? • Couplets, tercets, quatrains, etc? • Metric feet: iamb, trochee, spondee • Metre (rhythm): iambic pentamenter, tetrameter, etc • Rhyme: regular (abab cdcd, etc) / irregular • No rhyme or rhythm > «free verse»

  18. Formal features Poetry – verse • What is the content/theme of each stanza? • What language (stylistic devices) is used to to express the theme? • What is the effect created by the rhythm? • What effect is created by the rhymescheme? • What sound patterns can you «hear» - assonance, consonance, alliteration, harsh, soft, long/short vowels?

  19. Formal features Poetry – types of poem • Sonnet • Ode • Ballad • Epic Revise Chapter 8 in your textbook: «What makes English poetic?»

  20. Stylistic devices for all texts • What types of vocabulary (diction) are used? Why? • What tone is created by the diction (and other devices)? • Is the register formal or colloquial or a mixture? • How do the register and diction match with the audience and the purpose and the context? • What stylistic devices can you spot in the text?

  21. Tone words • The feeling(s) a text creates through the use of certain • jubilant, joyful, exhuberant, enthusiastic, dramatic • dark, sad, sombre, melancholy, gloomy, solemn, earnest, serious • longing, despairing, helpless, pleading, begging • light, playful, flippant, good-humoured, dreamy • satirical, mocking, sarcastic, ironic, cynical, irreverent • angry, bitter, harsh, stubborn, dogmatic • impersonal, detached, dispassionate, clinical, cold • personal, intimate, emotional, lyrical, poignant, sentimental, warm • calm, philosophical, reflective, gentle, mellow, tranquil, tender • conversational, matter-of-fact • self-mocking, self-critical, self-confident, over confident • formal, grand style, pompous • subservient, eager to please, ingratiating, flattering • … add more words of your own (use a Thesaurus to help you)

  22. Language Stylistic devices in non-literary texts • Imagery • Alliteration • Irony – sarcasm - satire • Symbolism • Humour / Pathos • Rhetoric – hypophera, anaphora, tricolon, etc • Allusion • Metaphor – simile • Analogy • Emotive language (also for diction) • Onomatopoeia

  23. Tips for revision • Work through the examples in your dossier for Paper 1. • Study the sample texts and the two answersfor each text. • The answers are numbered: 1.1, 1.2, etc. • The 1.2, 2.2, etc answers are the good commentaries.

  24. Tips for revision • What would you expect to see in a good comparative commentary? Create a checklist and read a sample response. Did you find all of the items in your checklist? • Read a very good sample comparative commentary. Now it’s your turn to write a commentary on the same texts. • Read a very good sample comparative commentary and write an outline for it. If the student had written an outline before writing this commentary, what would it have looked like?

  25. Tips for revision • Compare a good and bad comparative commentary. Draft a list of features that are characteristic of good commentaries, and a list of things to avoid. • Take three different-colored highlighters. With one colour, highlight all of the points or statements made in a good sample comparative commentary. With another colour, highlight all of the examples and references to the text. With the final colour, highlight all of the explanations. Do you see a pattern? • Find all of the vocabulary (adjectives) used in a sample response to describe the tone of the texts. Rank the words used from most effective to least. What words would have been better to describe the tone of the piece?

  26. Tips for revision • Read a good sample response. Create a table with several boxes: sequencing words, expanding words, explanation words, contrasting words, comparison words, concluding words. Find examples to put in each box. • Find examples of how quotes and illustrations are set up. How many different strategies can you find for embedding quotes and illustrations in a commentary? • Use the assessment criteria to assess a sample response.

  27. Writing a commentary Individual or group work • Each group member reads the text(s), notes anything significant (Big 5). • Share your notes • As a group write the introduction

  28. Opening paragraph The identity of the two texts • What kind of texts (genre) are they and who wrote them? • When and where were they published/written? • Might the time and the place be significant? • What is the most striking feature about each text? • What is the most significant similarity and difference between the texts? • How are you going to approach this task?

  29. Writing the commentary Individual or group work. • Content, theme • Audience and purpose • Diction, tone and mood • Stylistic devices • Structure • Conclusion

  30. P I E - P O I N T • The main idea for the paragraph. The POINT YOU WANT TO MAKE. • Make a strong, clear statement or claim about the topic of the paragraph e.g. structure. TOPIC SENTENCE • Try to write a sentence which contains an idea related to both texts (compare and contrast).

  31. P I E - P O I N T (Paragraph on similarities – theme) Although both texts are different types of texts, they comment on people’s preconceptions of gender roles.

  32. P I E - I L L U S T R A T I O N • Use quotes, paraphrases of passages to support your POINT. • Integrate these well into your writing, using a suitable phrase such as: “For example, in line 26 the author remarks…”

  33. P I E - IL L U S T R A T I O N The comic clearly states that it is about gender stereotyping in the first frame, where Cathy says, “This is our baby’s one chance to get to meet people totally free from gender stereotyping.” The nurse claims that the baby is ‘strong, mischievous and tough,’ and therefore must be a boy.

  34. P I E- E X P L A N A T I O N Explains how the example illustrates the main point. Cathy is frustrated by this stereotype and argues that girls can be strong too. The nurse continues in her stereotyping once she learns the baby is a girl, by saying that she has “precious dimples.”

  35. P I E (P) Text 2 has the purpose to purely inform and convince the audience.(I) The passage really comes across as a promotional piece of text, as you read lines like “taking that extra time conching (stirring constantly in a vessel that looks like a conch shell) our chocolate to bring out the intense flavour that has become our trademark.”(E) By using jargon (“conching”) the writer convinces the reader of his level of expertise, which in turn persuades the reader to buy the chocolate.

More Related