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Art and Culture

Art and Culture. Renaissance Mannerism Baroque. 1500-1715. Medieval art. Why does art change?. Art Reflects and Reacts to LIFE!. Fall of the Byzantine Empire. The Black Plague. Reformation. Society in the Renaissance. Feudalism - Hierarchy Famine and disease – bubonic plague

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Art and Culture

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  1. Art and Culture Renaissance Mannerism Baroque 1500-1715

  2. Medieval art

  3. Why does art change? Art Reflects and Reacts to LIFE! Fall of the Byzantine Empire The Black Plague Reformation

  4. Society in the Renaissance • Feudalism - Hierarchy • Famine and disease – bubonic plague • Gutenberg printing press • Patronage of the arts – Medici, Pope Julius II and Pope Leo X • Women and Childhood Legacy textbook – Pages 21-26 Question

  5. Humanism • Influx of scholars of antiquity from Constantinople • Curriculum of a “humanist” (teacher) was rhetoric, grammar, poetry, history and moral philosophy (ethics) • Merchant class established • Florence, Italy (1450 onwards) • Ancient ideals

  6. Can you spot the differences? Which one is the Medieval painting?

  7. Attributes of Renaissance Art Boticelli’sPrimavera, 1480 Return to the Greek and Roman Classical style Proportions/balance Linear perspective- realism New paint – oil! Humanism-emotion The ideal Pyramid compositions

  8. Donatello The Penitent Magdalene, 1453-55 Cranach the Elder The Last Supper, 1547

  9. Northern Renaissance: Outside of Italy ~1500 onwards Albrecht Dürer The Four Apostles, 1526 • Gothic influence • Secular Humanism • Landscapes • Reformation • Brought religious art almost to a complete end

  10. Stars of the Renaissance Leonardo Da Vinci Sfumato and Chiaroscuro

  11. Michelangelo Pieta, 1499 Adam, Sistine Chapel, 1511

  12. Art during the Reformation and Counter Reformation Mannerism (1520-1600) Baroque Protestant viewpoint Catholic viewpoint Council of Trent

  13. Reformation and Counter Reformation Protestant viewpoint Catholic viewpoint Council of Trent (1563) Focus on religious scenes and allegories Veneration paid to the person him/herself and not the image. Images realistic – nothing confusing or decorative • Humans are made in God’s image. Therefore, all scenes of secular life are valid subjects for art • Portraits • Iconoclastic movements • Glorify God through the beauty of his creations

  14. Mannerism Parmigianino's Madonna of the Long Neck Exaggerated poses, in unrealistic settings More emotional approach to art with a sometimes distorted point of view Elegance Mystery, aloofness Flaw for perfection TwoMannerist Portraits

  15. Unnatural pose! Michelangelo Ignudo, Sistine Chapel ceiling El Greco Adoration of the Shepards, 1605

  16. BerniniBaroque Emotion Chiaroscuro and Tenebriso Movement Natural Diagonal, “X” compositions Two paintings in the Baroque era

  17. Carravaggio Entombment, 1600-04 Vermeer Girl with a Pearl Earring, 1665

  18. Compare and ContrastVenn diagram

  19. Important Terms • Mannerism • Baroque • Naturalism, Realism • Secular • Chiaroscuro • Tenebriso Based on the work of Amy Sohn • Linear perspective • Iconoclasm • Sfumato • Tempera • Humanism • Foreshortening

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