1 / 27

Fauvism and the Still Life : It ’ s all about C O L O R

Fauvism and the Still Life : It ’ s all about C O L O R. Visual Art I. Who were the Fauves?. Fauvism was a French art movement, led by Henri Matisse, spanning from 1869-1954.

love
Télécharger la présentation

Fauvism and the Still Life : It ’ s all about C O L O R

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Fauvism and the Still Life:It’s all about COLOR Visual Art I

  2. Who were the Fauves? • Fauvism was a French art movement, led by Henri Matisse, spanning from 1869-1954. • Fauves is French for “Wild Beasts”. This name was used because the artists used intense, almost violent colors in an unnatural way.

  3. Influences • In the early 1900s there were several major exhibitions in Paris of Post Impressionist artwork. These included the works of Paul Gauguin, Vincent van Gogh, and Paul Cezanne and were radically different from previous work displayed. • They had loose brush strokes and bright, free use of color. These exhibitions inspired many artists who were looking to liberate their own style. 

  4. Post-Impressionist work that might have influenced the Fauves Paul Gauguin- Breton Peasant Women 1894

  5. Post-Impressionist work that might have influenced the Fauves Vincent van Gogh - Village Street in Auvers1890

  6. Post-Impressionist work that might have influenced the Fauves Paul Cezanne- Table, Napkin, and Fruit1895-1900

  7. “Wild Beasts” • The Fauves took the free use of color even further by using arbitrary and unnatural colors. They might paint a sky bright red or a person’s face green. • Complementary or Analogous color schemes were often used. • Colors were chosen for expressive purposes, not based on realism.

  8. Complimentary Colors: Colors that are across from each other on the color wheel. What are the 3 Primary Colors and their 3 Complimentary Colors? Analogous Colors: are groups of colors that are adjacent to each other on the color wheel. Analogous Colors are the range of colors that fall between two primary colors. Example:Yellow Yellow-Orange Orange Red-OrangeRed

  9. Other Fauves Include • Maurice de Vlaminck • Kees van Dongen • Andre Derain • Raoul Dufy

  10. Henri Matisse The Red Studio - 1911 Green Stripe - 1905

  11. Maurice de Vlaminck The River Seine at Chatou Tugboat on the Seine, Chatou - 1906

  12. Kees van Dongen

  13. Andre Derain

  14. Raoul Dufy

  15. Representational versus Realistic What do you think ‘REPRESENTATIONAL’ means in art?

  16. Characteristics of Fauvist Artwork Painters used VIVID COLORS in their paintings Colors were used to express FEELINGS & EMOTIONS When painting, the artists did not blend or mix the paints Their subject matter was REPRESENTATIONAL but did not necessarily look completely REALISTIC. Fauvist Artists painted using SIMPLE & sometimes ‘Blocky’ Shapes Their BRUSH STROKES were LOOSE & REPETITIVE and often created patterns within the artwork

  17. The Still Life in Art • A picture of inanimate objects. Common still life subjects include vessels, food, flowers, books, clothing. • A still life painting which reminds us of life's fleeting qualities is called a vanitas. • This genre flourished particularly among Dutch painters of the seventeenth century. • The plural form is "still lifes." Still life definition from ARTLEX.COM

  18. Fauvist Style Still Lifes

More Related