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Surreal Collage: Battle Between Good and Bad

Explore the world of surrealism through a captivating collage depicting a battle of good versus bad. Utilizing techniques like juxtaposition, distortion, and disguising, witness a unique fusion of elements that challenge reality. Immerse yourself in the clash of contrasting forces and fragmented imagery. Dive into this artwork of dislocated and feathered surrealism.

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Surreal Collage: Battle Between Good and Bad

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  1. Digital Photography and Design Spring 2013Dean Jones

  2. Alphabet Photography

  3. Triptych

  4. Mono with a splash

  5. Elements of Design • Line • Shape\ form • Space • Value • Color

  6. Line

  7. Shape

  8. Deep space

  9. Positive and Negative space

  10. Space

  11. Shallow space

  12. Framing

  13. Value

  14. Color

  15. Texture

  16. Principles of Design • Repetition\ pattern • Balance • Emphasis • Contrast • Movement • Unity

  17. Contrast

  18. Repetition

  19. Balance

  20. Emphasis

  21. Movement

  22. Unity

  23. Portraits

  24. Paschke • Was taught at North Western University • Attended the Art institute in Chicago, IL • Loved art his whole life • Born in 1939 in Chicago • He died in 2004

  25. Paschke Portrait

  26. Foreshortening

  27. Obscuring

  28. Forced Perspective

  29. Surrealism • Surrealism is an image that is edited to make it look out of this world and could never happen. • Salvador Dali, and Robert Vickrey are surreal artists. • Surrealism started in 1924 and in France

  30. Juxtaposition

  31. Distortion And Dislocation

  32. Disguising

  33. Fragmentation

  34. Feathering

  35. Surreal collage I designed this surreal collage to show a battle between good and bad. I used juxtaposition on the angels, I used disguising on the Skull explosion, and Distortion on the mushroom cloud. And I warped the background of the city to be an effect of the explosion.

  36. Cameo appearance in a work of art I incorporated myself into the painting The Burning Giraffe by Salvador Dali. I used levels to blend myself into the color of the painting.

  37. Cameo appearance in a Movie I incorporated myself into the movie Pulp fiction. I used levels and brightness to adjust myself to the affects of the scene.

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