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Michael J. Griffin, University of Oxford (michael.griffin@oriel.ox.ac.uk)

nmc 2005. Michael J. Griffin, University of Oxford (michael.griffin@oriel.ox.ac.uk) Cyprien Lomas, University of Br itish Columbia / ELI (cyprien.lomas@ubc.ca). nmc 2005. Our roadmap: The Ancient Spaces Project 1) building buildings… evolution 2) Open Source Antiquities 3) next steps?.

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Michael J. Griffin, University of Oxford (michael.griffin@oriel.ox.ac.uk)

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  1. nmc 2005 Michael J. Griffin, University of Oxford (michael.griffin@oriel.ox.ac.uk) Cyprien Lomas, University of British Columbia / ELI (cyprien.lomas@ubc.ca)

  2. nmc 2005 Our roadmap: The Ancient Spaces Project 1) building buildings… evolution 2) Open Source Antiquities 3) next steps?

  3. nmc 2005 • I • Learn about ancient architecture • by stepping into the shoes of the architect • 2004-2005

  4. nmc 2005 • January, 2004 • Initial proposal by three students at UBC • • Create an networked 3D ‘Acropolis of Athens’ • • All content developed by students as a learning method • • To be improved by each year’s class for the next generation • Funded by UBC Arts Instructional Support and Information Technology and supported by the Department of Classical, Near Eastern, and Religious Studies

  5. nmc 2005 The Acropolis of Athens, c. 430-330 BCE Map and Plan

  6. nmc 2005 Ancient Spaces preliminary modeling: The Parthenon

  7. nmc 2005 • February, 2004 • Putting preliminary content ‘in-game’ for multiple players • Technology chosen: mod of Epic’s ‘Unreal’ platform

  8. nmc 2005 February-April, 2004 Content completed and imported into Unreal

  9. nmc 2005 February-April, 2004 Content completed and imported into Unreal

  10. nmc 2005 • April-June, 2004 • Demonstration to Department of Classics • June presentation by students at the NMC conference • • Successes. Three students deeply engaged with a learning project for their peers. • • Criticisms. Faculty expressed concern about the accuracy of student-created (and imperfect) models for teaching.

  11. nmc 2005 • Next steps: Summer, 2004 • UBC TLEF funding awarded • fully tested in a class (Classical Studies 100). • The 3D models would be accompanied by a written argument defending their reconstructions from academic plans. • Concerns about accuracy addressed by three-tier process. • Actual modeling would be done by undergraduates & vetted by faculty before ‘publication’ • Grad students are intermediaries between technology & academics.

  12. nmc 2005 • September, 2004 • Twenty-five 3D-ready computers upgraded in Faculty of Arts • Arts ISIT Lab assigned to Classical Studies • Unreal 2004 installed on all machines • One graduate TA and Ancient Spaces founder assigned to handle the volunteer class • Library resources assembled for undergraduates

  13. nmc 2005 New challenge: Twenty-five students needing technology education (without CLST 100 turning into a technology class), and no previous archaeological experience, would create a learning environment for their peers

  14. nmc 2005 The Agora of Athens, c. 430-330 BCE Map and Plan

  15. nmc 2005 September 2004-January 2005 Content created in UnrealEd

  16. nmc 2005 September 2004-January 2005 Content created in UnrealEd

  17. nmc 2005 • Fifteen structures modeled by twenty-five first-year students • Academic accuracy vetted by graduate students in collaboration with academic supervisors • Results published on www.ancientspaces.com and made publicly available. • • Results on the archaeology section of the examination were quantitatively improved. • sense of ‘camaraderie’ that came from a student-directed project. • • several students from the project came forward to help direct Ancient Spaces in 2005.

  18. nmc 2005 • II • Antiquity Comes Alive • 2005-2006

  19. nmc 2005 • August, 2005Expanding the project: new goals • • Creative learning. Content will continue to be developed by students at participating institutions democratically, employing an ‘open-source’ approach to collaboration. • • Additive. Each year’s creation will become a learning environment for the next generation. • • Accuracy. To continue to ensure academic accuracy, all content will also be vetted by an online ‘anonymous peer review’ process (thus circumventing the ‘Wikipedia issue’).

  20. nmc 2005 • August, 2005Expanding the project: new goals • • Original research. New archaeological excavations will be ‘published’ on Ancient Spaces, representing a new means of getting academic content beyond the academy: • • Popular gaming. Student-created content will become the content of a massively multiplayer game focused on ancient cultures and designed for the public.

  21. nmc 2005 • August, 2005Expanding the project • • Ancient Spaces will expand to include Egypt and First Nations cultures. • • The MMORPG is intended to become a true community ‘game’, teaching by cultural immersion rather than ‘piggybacking’ pedagogy on popularity. • • A library of geometrical ‘building blocks’ is provided by professional 3D artists. Students draw on this library to reconstruct entire structures and scenes.

  22. nmc 2005 • August, 2005New Technology • • Beginning in June 2006, Ancient Spaces will rely upon an open-source 3D client and editor based on OGRE 3D. This client will allow for in-game editing by students, and will improve considerably on real-time model rendering. • • Publication of content online will be accomplished using Pachyderm, in collaboration with Arts ISIT at UBC. • • The website will be a persistent repository of editable and consistently improving 3D content, allowing for the peer-review process with participating academics.

  23. nmc 2005 Ancient Spaces new models: Open Source?

  24. nmc 2005

  25. nmc 2005 Ancient Spaces new models: Egypt and Rome

  26. nmc 2005 Ancient Spaces new models: Egypt and Rome

  27. nmc 2005 Ancient Spaces new models: Egypt and Rome

  28. nmc 2005 Ancient Spaces new models: Evolution of the Parthenon

  29. nmc 2005 Ancient Spaces new models: Evolution of the Parthenon

  30. nmc 2005 Ancient Spaces new models: Evolution of the Parthenon

  31. nmc 2005 Ancient Spaces new models: Evolution of the Parthenon

  32. nmc 2005 • III • Principles and Broader Applications

  33. nmc 2005 General Principles Undergraduate students learn by creating Each class’s creations are designed as learning environments for the next generation Academic fidelity is encouraged through an anonymous ‘peer review’ process Final content is delivered in a popular form as a new means of providing academic content to the public

  34. nmc 2005 General Principles Rich fluid environment Interactions at appropriate level of engagement Social Owned Build your Own

  35. nmc 2005 • General Principles (cont’d.) • Three-tiered approach • Faculty • Graduate Students • Undergraduate Students • Graduate students mediate between members of faculty • and undergraduates, working to ensure the practical value of this approach in everyday teaching. • Classes complemented through Ancient Spaces do not become ‘technology’ classes requiring additional ‘know-how’ on the part of the faculty or students

  36. nmc 2005 Applicability Transferable Lessons? Construction Student input Complex modeling Appropriate engagement

  37. nmc 2005 Applicability Sciences Students modeling the worlds of the ‘very large’ and the ‘very small’ Complex modeling of economic and social systems Mathematics (For peers and for non-specialists)

  38. nmc 2005 Applicability Interdisciplinarity: Sciences and the Humanities Imago mundi: The evolution of cosmology from antiquity to the modern day: Common problems and approaches in science, philosophy, and mythology from Egypt to Einstein

  39. nmc 2005 • Applicability • Interdisciplinarity: Sciences and the Humanities • Imago mundi: • Building Blocks • Release and share • Share early share often • Peer Review • Standards

  40. nmc 2005 • Applicability • Interdisciplinarity: Sciences and the Humanities • Imago mundi: • Building a framework for simulations • the philosophy of the tools…

  41. nmc 2005 • Applicability • Interdisciplinarity: Sciences and the Humanities • Imago mundi: • Fit into existing practices… • Work with existing academic cultures

  42. www.ancientspaces.com nmc 2005

  43. www.ancientspaces.com landfood.jot.com/ancientspaces/

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