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Emotional Speech

Emotional Speech. CS 4706 Julia Hirschberg (thanks to Jackson Liscombe and Lauren Wilcox for some slides). Outline. Why study emotional speech? Why is modeling emotional speech so difficult? Production and perception studies Voice Quality features: the holy grail.

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Emotional Speech

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  1. Emotional Speech CS 4706 Julia Hirschberg (thanks to Jackson Liscombe and Lauren Wilcox for some slides)

  2. Outline • Why study emotional speech? • Why is modeling emotional speech so difficult? • Production and perception studies • Voice Quality features: the holy grail CS 4706

  3. Why study emotional speech? • Recognition • Customer-care centers • Tutoring systems • Automated agents (Wildfire) • Generation • Characteristics of ‘emotional speech’ little understood, so hard to produce: …a voice that sounds friendly, sympathetic, authoritative…. • TTS systems • Games CS 4706

  4. Emotion in Spoken Dialogue Systems • Batliner, Huber, Fischer, Spilker, Nöth (2003) • Verbmobil (Wizard of Oz scenarios) • Ang, Dhillon, Krupski, Shriberg, Stolcke (2002) • DARPA Communicator • Liscombe, Guicciardi, Tur, Gokken-Tur (2005) • “How May I Help You?” call center • Lee, Narayanan (2004) • Speechworks call-center • Liscombe, Hirschberg, Venditti (2005) • ITSpoke Tutoring System (physics) CS 4706

  5. Why is emotional speech so hard to model? • Colloquial definitions of speakers and listeners ≠ technical definitions • Utterances may convey multiple emotions simultaneously • Result: • Human consensus low • Hard to get reliable training data CS 4706

  6. Spontaneous Corpora • Unconstrained • [Campbell, 2003] [Roach, 2000] • [Cowie et al., 2001] • Call centers • [Vidrascu & Devillers, 2005] [Ang et al., 2002] • [Litman and Forbes-Riley, 2004] [Batliner et al., 2003] • [Lee & Narayanan, 2005] • Meetings • [Wrede and Shriberg, 2003] CS 4706

  7. Acted Corpora happy sad angry confident frustrated friendly interested anxious bored encouraging CS 4706

  8. LDC Emotional Prosody and Transcripts corpus • Semantically neutral (dates and numbers) • 8 actors • 15 emotions CS 4706

  9. Are Emotions Mutually Exclusive? • User study to classify tokens from LDC Emotional Prosody corpus • 10 emotions only: • Positive: confident, encouraging, friendly, happy, interested • Negative: angry, anxious, bored, frustrated, sad • Example CS 4706

  10. Emotion Intercorrelations (p < 0.001) CS 4706

  11. Results • Emotions are heavily correlated • Positive with positive • Negative with negative • Emotions are non-exclusive • Can they be clustered empirically • Activation • Valency CS 4706

  12. Global Pitch Statistics Different Valence/Activation CS 4706

  13. Different Valence/Same Activation CS 4706

  14. Identifying Emotions • Automatic Acoustic-prosodic [Davitz, 1964] [Huttar, 1968] • Global characterization • pitch • loudness • speaking rate • Intonational Contours [Mozziconacci & Hermes, 1999] • Spectral Tilt [Banse & Scherer, 1996] [Ang et al., 2002] CS 4706

  15. Machine Learning Experiment • RIPPER 90/10 split • Binary classification for each emotion • Results • 62% average baseline • 75% average accuracy • Acoustic-prosodic features for activation • /H-L%/ for negative; /L-L%/ for positive • Spectral tilt for valence? CS 4706

  16. Accuracy Distinguishing One Emotion from the Rest CS 4706

  17. A Call Center Application • AT&T’s “How May I Help You?” system • Customers often angry and frustrated CS 4706

  18. HMIHY Example VeryFrustrated Somewhat Frustrated CS 4706

  19. Pitch, Energy and Rate CS 4706

  20. Features • Automatic Acoustic-prosodic • Contextual [Cauldwell, 2000] • Lexical [Schröder, 2003] [Brennan, 1995] • Pragmatic [Ang et al., 2002] [Lee & Narayanan, 2005] CS 4706

  21. Results CS 4706

  22. Tutoring Systems Should Respond to Uncertainty • SCoT [Pon-Barry et al. 2006] • Responding to uncertainty • Active listening • Hinting vs. paraphrasing • Features examined • Latency • Filled pauses • Hedges • Performance metric • Learning gain • But no improvement by responding to uncertainty CS 4706

  23. What does uncertainty sound like? CS 4706

  24. [pr01_sess00_prob58] CS 4706

  25. Uncertainty in ITSpoke um <sigh> I don’t even think I have an idea here ...... now .. mass isn’t weight ...... mass is ................ the .......... space that an object takes up ........ is that mass? [71-67-1:92-113] CS 4706

  26. ITSpoke Experiment • Human-Human Corpus • AdaBoost(C4.5) 90/10 split in WEKA • Classes: Uncertain vs Certain vs Neutral • Results: CS 4706

  27. ITSpoke Results CS 4706

  28. Voice Quality and Emotion • Perceptual coloring • Derived from a variety of laryngeal and supralaryngeal features • modal, creaky, whispered, harsh, breathy, ... • Correlates with emotion • Laver ‘80, Scherer ‘86, Murray& Arnott ’93, Laukkanen ’96, Johnstone & Scherer ’99, Gobl & Chasaide, ‘03, Fernandez ‘00 CS 4706

  29. Phonation Gestures • Adductive tension: interarytenoid muscles adduct the arytenoid muscles • Medial compression: adductive force on vocal processes- adjustment of ligamental glottis • Longitudinal pressure: tension of vocal folds CS 4706

  30. Modal Voice • “Neutral” mode • Muscular adjustments moderate • Vibration of vocal folds periodic, full closing of glottis, no audible friction • Frequency of vibration and loudness in low to mid range for conversational speech CS 4706

  31. Tense Voice • Very strong tension of vocal folds, very high tension in vocal tract CS 4706

  32. Whispery Voice • Very low adductive tension • Medial compression moderately high • Longitudinal tension moderately high • Little or no vocal fold vibration • Turbulence generated by friction of air in and above larynx CS 4706

  33. Creaky Voice • Vocal fold vibration at low frequency, irregular • Low tension (only ligamental part of glottis vibrates) • The vocal folds strongly adducted • Longitudinal tension weak • Moderately high medial compression CS 4706

  34. Breathy Voice • Tension low • Minimal adductive tension • Weak medial compression • Medium longitudinal vocal fold tension • Vocal folds do not come together completely, leading to frication CS 4706

  35. Estimating Voice Quality • Estimate wrt controlled neutral quality • But how do we know the control is truly “neutral”? • Must must match the natural laryngeal behavior to laboratory “neutral” • Our knowledge of models of vocal fold movements may be inadequate for describing real phonation • Known relationships between acoustic signal and voice source are complex • Only can observe behavior of voicing indirectly so prone to error. • Direct source data obtained by invasive techniques which may interfere with signal CS 4706

  36. Next Class • Deceptive Speech CS 4706

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