1 / 6

ACTING

ACTING. GOAL OF THE ACTOR. The ultimate goal of any actor should be to make us believe completely in the reality of the character They must be able to project sincerity, truthfulness, and naturalness in such a way that we are never aware that they are acting a part

owen
Télécharger la présentation

ACTING

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. ACTING

  2. GOAL OF THE ACTOR • The ultimate goal of any actor should be to make us believe completely in the reality of the character • They must be able to project sincerity, truthfulness, and naturalness in such a way that we are never aware that they are acting a part • Becoming the character can be done on of two ways, from the outside or the inside

  3. Outside approach- do the behavior and it starts to seep inside • Learn to limp and discover why the character limps • Inside approach- begin with the feeling and memory and those affect your behavior • Learn why the limp is there and then let that affect the limp

  4. TYPES OF ACTORS • Impersonators- have the talent to leave their real personality behind and to assume the personality of a character with whom they may have few characteristics in common • Interpreters- play characters closely resembling themselves in personality and physical appearance, and they interpret these parts dramatically without wholly losing their own identity • Personality- primary talent is to be themselves and nothing more

  5. CASTING • Directors must consider many aspects of an actor when casting a part to make sure the part comes off convincingly • Some problems can be solved in the production phase, but many can not • Sometimes a director decides a cast should not have any one star • Ensemble acting- performance by a group of actors whose roles are of equal importance

  6. Typecasting- consigns an actor to a narrow range of almost identical roles • Supporting players- the major stars play off them (sometimes as foils) and they make the major stars shine brighter

More Related