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文藝復興

文藝復興. I. 緒論 1. 「文藝」復興 ? 2. 全才藝術家 ? 3. Art: 藝術還是技術 ? 機械技術 (arts méchaniques) 自由技術 (arts libéraux). II. 藝術與科學的結合. 新柏拉圖主義. Botticelli 1484 Venus. Da Vinci 1492 selon Vitruve. Bramante 1502 Tempietto. Bramante st peter's plan. 佛羅倫斯大教堂 與新的藝術目標 Ghiberti vs. Brunelleschi.

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文藝復興

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  1. 文藝復興

  2. I. 緒論 1.「文藝」復興? 2. 全才藝術家? 3. Art:藝術還是技術? 機械技術(arts méchaniques) 自由技術(arts libéraux)

  3. II. 藝術與科學的結合

  4. 新柏拉圖主義

  5. Botticelli 1484 Venus

  6. Da Vinci 1492 selon Vitruve

  7. Bramante 1502 Tempietto

  8. Bramante st peter's plan

  9. 佛羅倫斯大教堂 與新的藝術目標 Ghiberti vs. Brunelleschi

  10. Florence cathedral

  11. Ghiberti 1401 Issac

  12. Brunelleschi 1401 abraham

  13. Ghiberti 1401-1425 North door

  14. Ghiberti 1425-50 Porte de Paradis

  15. Ghiberti 1425-50 Porte de Paradis Essau

  16. Ghiberti 1425-50 Porte de Paradis Selfportrait

  17. Florence cathedral dome

  18. Florence cathedral plan

  19. III. 數學性的繪畫法則: 線性透視(Linear perspective)的「發明」(再發現?) perspective ← perspicio ★Giotto ★Brunelleschi的實驗

  20. Giotto 1303-1306 Chapel Arena

  21. Giotto 1303-1306 chapel Arena

  22. Brunelleschi Perspective

  23. Brunelleschi perspective

  24. Masaccio 1428 Trinity perspective

  25. Masaccio 1427 Eexpulsion

  26. Perspective 1435 Alberti

  27. perspective 1435 Alberti

  28. 透視的功能與意義

  29. Uccello 1450 Battle san Romano

  30. Da Vinci 1484 Virgin

  31. Da Vinci 1495-98 Last Supper

  32. Da Vinci -refectory-supper

  33. Della Francesca 1460 Flagellation

  34. Della Francesca schema

  35. Della Francesca schema

  36. Fouquet 1458 Entrée Charles IV à St. Denis

  37. Da Vinci 1485 Codex Atlanticus

  38. Holbein 1533 Ambassadors

  39. IV.古典主義: 米開朗基羅(1475-1564)

  40. Statue de Miche-ange

  41. Michel-ange 1498-99 Pietà

  42. Enguerrand Quarton 1455-1460 Pietà de Villeneuve-lès-Avignon

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