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This guide explores the differences between linear and non-linear plot structures in storytelling. A linear plot unfolds sequentially, presenting events in chronological order, while a non-linear plot mixes up the order, creating a unique narrative experience. We also discuss bookend structures, which utilize both present-day and flashback elements. Additionally, the guide covers types of conflicts—external (person vs. person, society, or nature) and internal (person vs. self)—as well as classic plot devices like MacGuffins, Deus ex Machina, and Red Herrings that enhance storytelling.
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Linear vs. non-linear • A linear plot is one in which the story unfolds step-by-step . Each event is in order from beginning, to middle, to end. • A non-linear structure is the opposite. Events don’t happen in order; the beginning, middle, and end are mixed up. • What are the pluses and minuses of each type of structure? • BOOKEND STRUCTURE: These stories rely on a hybrid structure. The story begins in the present, then flashes back to the beginning of the story. The events unfold in order until we get back to the present. The story finishes with present events that are informed by the flashback.
Types of conflicts • EXTERNAL CONFLICT • Person vs. Person • Person vs. Society • Person vs. Nature • INTERNAL CONFLICT • Person vs. Self
Plot devices • Author’s rely on all sorts of gimmicks and tricks to keep the plot moving. • Here are some classics…
Macguffin • A goal, object, or desire that the protagonist pursues. There is little or no explanation why.
Deus ex machina • From the Greek for “God from the Machine” • Inexplicably, some event happens that miraculously resolves the conflict. • Can be considered contrived and implausible if the use of it is cheap. • Example: But it was all just a dream!
Red herring • Anything that leads the reader/viewer to a logical, but false conclusion. Often used in mysteries.