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Exploring Surrealism in Photography and Design: A Triptych of Ed Paschke's Influence

Dive into the captivating world of digital photography and design with a focus on Ed Paschke's unique style. This triptych showcases elements of design such as line, shape, space, and color, integrating principles like contrast and unity. Inspired by Surrealism and abstraction, Paschke's work reflects themes of violence and aggression through innovative techniques including juxtaposition and foreshortening. Explore how the blending of textures and surreal elements transcends traditional photography, creating a rich visual narrative that prompts deeper reflection on perception and reality.

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Exploring Surrealism in Photography and Design: A Triptych of Ed Paschke's Influence

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  1. Digital Photography and Design Spring 2013 Courtney Chamberlin

  2. Alphabet Photography

  3. Triptych

  4. Mono With a Splash

  5. Elements of Design Line, shape/form, space, value, color, texture

  6. Line

  7. Line

  8. Line

  9. Shape

  10. Shape

  11. Shape

  12. Space

  13. Positive and Negative Space

  14. Deep Space with Foreground, Middleground, and Background

  15. Shallow Space

  16. Space:Framing

  17. Value

  18. Color

  19. Color

  20. Color

  21. Principles of Design Repetition/Pattern, Balance, Emphasis, Contrast(in B&W), Movement, Unity

  22. Repetition/Pattern

  23. Balance

  24. Emphasis/Focal Point

  25. Contrast

  26. Movement/Rhythm

  27. Unity

  28. Portrait

  29. Portrait

  30. Portrait

  31. Snow day

  32. Snow day

  33. Snow day

  34. Ed Paschke • Born 1939 in Chicago • Childhood Likes: Animation and Cartoons • Went to The School of the Art institute of Chicago • Lived in Chicago • Painted based on abstraction and expressionism • Themes: Violence, aggression, and physical incongruity.

  35. Ed Paschke

  36. Ed Paschke portrait I cropped my picture to cut out some of the background. I would make random boxes going across my picture and change the hue/saturation of the picture. I changed the texture of the picture to Grain and I put a butterfly picture which I cut the white out of it and faded it to be lighter.

  37. Foreshortening

  38. Obscuring

  39. Forced Perspective

  40. Surreal Research Artists: • André Breton • Max Ernst • Salvador Dalí • Pablo Picasso • etc Started in early 1920s in France

  41. Juxtaposition

  42. Distortion

  43. Disguising

  44. Gradient

  45. Feathering

  46. Surreal collage I took a picture I took of the outside and placed my self looking back over my shoulder, I added a fish, bear, and turtle in the picture. I used juxtaposition and blended my friends head with a cows body,. I also blended a cows head with a camel's body then used feathering to make it looks like it was natural. I then put a gray foreground to make it look natural.

  47. Cameo: Famous painting I googled a famous painting and then cropped my face out of a picture using the magic wand. I placed my face over the women's face and then used the mask to blend it in. I desaturated it to make it look like it was meant to be.

  48. Cameo: famous movie I got a picture from mean girls, and a picture of myself and cute me out using magic wand then pasted myself into the scene and did a overlaying color to make it look more natural .

  49. Impressionism practice

  50. Impressionism

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