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Butch Cassidy and the Sundance Kid

Butch Cassidy and the Sundance Kid. George Roy Hill, 1969. Cinematographer . Conrad Hall (who also shot American Beauty and Road to Perdition) Utilizes flat space in most of his films Movement in the first scene takes place on the axis of the tripod: pans, tilts, zooms

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Butch Cassidy and the Sundance Kid

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  1. Butch Cassidy and the Sundance Kid George Roy Hill, 1969

  2. Cinematographer • Conrad Hall (who also shot American Beauty and Road to Perdition) • Utilizes flat space in most of his films • Movement in the first scene takes place on the axis of the tripod: pans, tilts, zooms • Most of the movement in Rules of the Game—physically moves through space: dolly, crane, track • Create a look of deep space

  3. Opening Scene: Flat space Montage style of editing Tight shots making up the scene rather than deep space (like Rules of the Game) The series of tight shots also give a sense of claustrophobia Also makes a reference to jail—something Butch is afraid of as an outlaw

  4. Second scene Moves from tight framing to loose framing Extremely long take at the beginning of the scene Increases tension and introduces conflict

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