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This lecture examines the concept of time as reflected in an array of artworks, from Hans Memling's poignant depiction of "The Passion of Christ" (1470), to the revolutionary ideas of Marcel Duchamp's "Nude Descending Staircase" (1912). We delve into various interpretations of time in art, highlighting pieces like Rembrandt's "Abraham Sacrificing Isaac" (1637) and Yves Klein's performance art in "Anthropometries of the Blue Period" (1960). The discussion includes modern expressions such as Bill Viola's "The Greeting" (1985) and Jochen Gerz's "Disappearing Monument" (1986-1993).
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Umberto Boccioni, “Unique Forms of Continuity in Space,” 1913
Jochen Gerz and Esther Shalev-Gerz, “Disappearing Monument,” Hamburg, GERMANY,1986-1993
Yves Klein, “Anthropometries of the Blue Period,”performed atthe Galerie Internationale d'Art Contemporain, March 1960
Yves Klein, “Anthropometries of the Blue Period,”performed atthe Galerie Internationale d'Art Contemporain, March 1960
Walter de Maria, “Lightning Field,” New Mexico, USA, 1970-77
Eadward Muybridge, running horse, 1878 Theorodre Gericault, The derby, 1821
Jacopo Pontormo,“The Visitation,” 1528-1529 Bill Viola,“The Greeting,” 1985
Caravaggio, “Still Life,” 1599 Sam Taylor Wood, “Still Life,” 2001
4 6 2 1 7 8 5 3 Quentin Tarantino, “Pulp Fiction,” 1994
HusseinChalayan,“Back to the Future,” Spring/Summer 2007 Collection
Angelo Invernizzi, “Villa Girasole (Sunflower Villa),” Verona, ITALY, 1929-35
