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Chapter 4 Stage Spaces

Creating the Environment Even before the curtain rises, the theatrical experience has begun The atmosphere of the theater building can set the audience’s mood as well as create expectations. Chapter 4 Stage Spaces. Theater Spaces. Proscenium Stage The most well known type of theatre space.

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Chapter 4 Stage Spaces

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  1. Creating the Environment Even before the curtain rises, the theatrical experience has begun The atmosphere of the theater building can set the audience’s mood as well as create expectations Chapter 4Stage Spaces

  2. Theater Spaces Proscenium Stage • The most well known type of theatre space. • The word proscenium comes from the proscenium arch (the frame that outlines the stage and separates the stage space from the audience space). • The audience seats are slanted or raked to allow all rows the ability to see the stage clearly. • Many proscenium auditoriums include a balcony or two, and the main floor seating is known as the orchestra

  3. Theater Spaces Arena Stage • Also known as circle theatre or theatre-in-the-round. • In an arena stage, the playing space is in the center of the room, with the audience surrounding the stage on all four sides (much like a boxing ring). • Often either the stage is raised or the audience is raised above the floor. The arena stage is intimate, allowing the audience to literally form a circle around the performers. • Elaborate and large scenery is both unnecessary and impossible because all sides of the audience must be able to see the performance. • As with the other forms of stages, the arena stage has been around since the Greeks.

  4. Theater Spaces Thrust Stage • The most widely used space in theatre. • With a thrust stage, the audience sits on three sides or in a semicircle, surrounding the stage which projects into the middle of the audience. • The thrust stage makes the play seem more intimate, with the performers acting within arms reach of the audience. • Some Greek theatres were thrust in origin, with the audience seated around the orchestra in a semicircle, and many of the stages in Shakespeare’s time were also surrounded on three sides by the audience.

  5. Created and Found Spaces Jerzy Grotowski and the Performance Group Challenging the notion of theatrical space Non-theater buildings Adapted Spaces Street Theater Multifocus environments All-purpose Spaces Theater Spaces Thus, abandoning the architecture of present-day theaters, we shall take some hangar or barn which we shall have reconstructed . . . ANTONIN ARTAUD (1896-1948)

  6. Even though we categorize theater spaces, there are several other variables that determine a space: Size Indoors or Outdoors Human Scale Appropriateness and Aesthetic Distance Theater audiences today are lucky enough to have a wide-range of theatrical spaces in which they can experience theater Conclusion

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