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Enlightened Architects of Edinburgh

Enlightened Architects of Edinburgh. Dr. Carl Atkinson MSc Enlightenment Studies. The e nlightened architects of Edinburgh . William Adam. Andrea Palladio. Piranesi. Robert Adam. John Adam. James Adam. An enlightened circle of friends . Alexander Wedderburn. James Boswell.

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Enlightened Architects of Edinburgh

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  1. Enlightened Architects of Edinburgh Dr. Carl Atkinson MSc Enlightenment Studies

  2. The enlightened architects of Edinburgh ... William Adam Andrea Palladio Piranesi Robert Adam John Adam James Adam

  3. An enlightened circle of friends ... Alexander Wedderburn James Boswell Allan Ramsay Sir John Clark John Home David Hume William Robertson Alexander Carlyle Adam Ferguson Colin Maclaurin James Hutton Adam Smith

  4. The texts in the library Andrea Palladio The Architecture of A. Palladio ,1742 (1715-20) • William Adam • VitruviusScoticus, 1812 Andrea Palladio I quattrolibri dell’ architettura ,1737/8 • Joannis Batista Piranesi The Magnificent and Architecture of Rome, 1761

  5. The texts of brothers Adam Esquires • Robert and James Adam • The Works in Architecture • (Peter Elmsly, 1778) • Robert Adam • Ruins of the Palace of the Emperor Diocletian at Spalato in Dalmatia • Robert and James Adam • The Works in Architecture • (French reprint of 1900-2)

  6. The philosophy of beauty in the Scottish Enlightenment “The figures which excite in us the ideas of beauty seem to be those in which there is uniformity amidst diversity ... What we call beautiful in objects, to speak in the mathematical style, seems to be in a compound ratio of uniformity and variety; and where the variety is equal, the beauty is as the uniformity” Frances Hutcheson, Inquiry into the Original of Our Idea of Beauty and Virtue, 1725 “Beauty is such an order and construction of parts, as either by the primary constitution of our nature, by custom, or by caprice, is fitted to give a pleasure and satisfaction to the soul” David Hume, On Beauty and Deformity, 1739 “Beauty is no quality in things themselves: it exists merely in the mind which contemplates them; and each mind perceives a different beauty” David Hume, On the Standard of Taste, 1757 “...we have a taste for proportion independent altogether of utility. One thing indeed is certain, that any external object proportioned to our taste is delightful” Henry Home, The Elements of Criticism, 1762 “But the beauty arising from regularity and variety , must always yield to that which arises from the fitness of the form for the end intended” Thomas Reid, Of Beauty - Essays of the Intellectual Powers, 1785

  7. The philosophy of architecture according to Palladio Andrea Palladio, The Architecture of A. Palladio

  8. The philosophy of architecture according to Adam “Whether our works have not contributed to diffuse these improvements in architecture, throughout this country, we shall leave to the impartial public” Robert & James Adam, The Works in Architecture, Preface to Volume I Number1, 1773 “It is not always that such variety can be introduced into the design of any building but where it can be attained without encroaching upon its useful purposes, it adds much to its merit, as an object of beauty and grandeur” Robert & James Adam, The Works in Architecture, Preface to Volume I Number1, 1773 “Architecture has already become more elegant and more interesting. The parade, the convenience, the social pleasures of life, being better understood, are more strictly attended to in the arrangement and disposition of appartments. Greater varoety of form, greater beauty in design, greater gaiety and elegance of ornament, are introduced into interior decoration; while the outside composition is more simple, more grand, more varied in its contour, and imposes on the mind from the superior magnitude and movement of its parts.” Robert & James Adam, The Works in Architecture, Preface to Volume I Number5, 1778 “Architecture has not, like some other arts, an immediate standard in nature, to which the artist can refer, and which would enable the skilful instantly to decide with respect to the degree of excellence attained in any work. In architecture, it must be formed and improved by a correct taste, and diligent study of beauties exhibited by great masters in their productions; and it is only by profound meditation upon these, that one becomes capable of distinguishing between what is graceful and what is inelegant; between that which possesses, and that which is destitute of harmony ” Robert & James Adam, The Works in Architecture, Preface to Volume I Number2, 1774 “Without detracting from the talents and merit of other artists, we are encouraged, by the public approbation, to flatter ourselves, that our works have somewhat contributed to diffuse juster ideas and better taste in architecture” Robert & James Adam, The Works in Architecture, Preface to Volume I Number 5, 1778

  9. The Images I ... Andrea Palladio Villa Pisani William Adam Mavisbank House

  10. The Images II Piranesi Termedi Tito & Port of Ripetta, Rome Robert Adam Port at Spalato & Syon House

  11. The buildings I Palladio Villa Barbaro, Trentino Adam Family Hopetoun House, nr Edinburgh

  12. The buildings II

  13. The Project Deliverables ...

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