1 / 41

American Literature

American Literature. Literary Periods and Their Characteristics. Puritan/Colonial 1650–1750 . Genre and Style Sermons, diaries, personal narratives Written in plain style. 2/41. Puritan/Colonial 1650–1750 . Effect and Aspects Instructive Reinforces authority of the Bible and church.

stian
Télécharger la présentation

American Literature

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. American Literature Literary Periods and Their Characteristics

  2. Puritan/Colonial1650–1750 • Genre and Style • Sermons, diaries, personal narratives • Written in plain style 2/41

  3. Puritan/Colonial1650–1750 • Effect and Aspects • Instructive • Reinforces authority of the Bible and church 3/41

  4. Puritan/Colonial1650–1750 • Historical Context • A person’s fate is determined by God • All people are corrupt and must be saved by Christ 4/41

  5. Puritan/Colonial1650–1750 • Literary Examples • Bradford's Of Plymouth Plantation • Rowlandson's "A Narrative of the Captivity" • Edward's "Sinners in the Hands of an Angry God" • Though not written during Puritan times, The Crucible & The Scarlet Letter depict life during the time when Puritan theocracy prevailed. 5/41

  6. Revolutionary/Age of Reason1750–1800 • Genre and Style • Political pamphlets • Travel writing • Highly ornate writing style • Persuasive writing 6/41

  7. Revolutionary/Age of Reason1750–1800 • Effect and Aspects • Patriotism grows • Instills pride • Creates common agreement about issues • National mission and the American character 7/41

  8. Revolutionary/Age of Reason1750–1800 • Historical Context • Tells readers how to interpret what they are reading to encourage Revolutionary War support • Instructive in values 8/41

  9. Revolutionary/Age of Reason1750–1800 • Literary Examples • Writings of Jefferson, Paine, Henry • Franklin's Poor Richard's Almanac • Franklin's "The Autobiography" 9/41

  10. Romanticism1800–1860 • Genre and Style • Character sketches • Ante-bellum Slave narratives • Poetry • Short stories 10/41

  11. Romanticism1800–1860 • Effect and Aspects • Value feeling and intuition over reasoning • Journey away from corruption of civilization and limits of rational thought toward the integrity of nature and freedom of the imagination • Helped instill proper gender behavior for men and women • Allowed people to re-imagine the American past 11/41

  12. Romanticism1800–1860 • Historical Context • Expansion of magazines, newspapers, and book publishing • Slavery debates • Industrial revolution brings ideas that the "old ways" of doing things are now irrelevant 12/41

  13. Romanticism1800–1860 • Literary Examples • Washington Irving's "Rip Van Winkle" • William Cullen Bryant's "Thanatopsis" • Dunbar's "We Wear the Mask" • Poems of Emily Dickinson • Poems of Walt Whitman 13/41

  14. American Renaissance and Transcendentalism 1840–1860 • Note the overlap in time period with Romanticism – some scholars consider the anti-transcendentalists to be the “dark” romantics and gothics. 14/41

  15. American Renaissance and Transcendentalism 1840–1860 • Genre and Style • Poetry • Short Stories • Novels • Anti-Transcendentalists • Hold readers’ attention through dread of a series of terrible possibilities • Feature landscapes of dark forests, extreme vegetation, concealed ruins with horrific rooms, depressed characters 15/41

  16. American Renaissance and Transcendentalism 1840–1860 • Effect and Aspects • Transcendentalists: • True reality is spiritual • Comes from18th century philosopher Immanuel Kant • Idealists • Self-reliance & individualism • Emerson & Thoreau • Anti-Transcendentalists: • Used symbolism to great effect • Sin, pain, & evil exist • Poe, Hawthorne, & Melville 16/41

  17. Transcendentalism: a literary, political, and philosophical movement centered around transcendentalists Ralph Waldo Emerson and Henry David Thoreau • Transcendent is defined as: • 1a : exceeding usual limits : surpassing b : extending or lying beyond the limits of ordinary experience c in Kantian philosophy : being beyond the limits of all possible experience and knowledge • 2: being beyond comprehension • 3: transcending the universe or material existence — compare immanent 2 • 4: universally applicable or significant <the antislavery movement…recognized the transcendent importance of liberty — L. H. Tribe> (http://www.merriam-webster.com/dictionary/transcendent) 17/41

  18. Transcendentalists: • Attempted to create a uniquely American body of literature that was different from the influences of England, France, Germany, or any other European nation. • Struggled to define spirituality and religion in a way that took into account the new understandings of science their age made available. http://plato.stanford.edu/entries/transcendentalism/ http://www.transcendentalists.com/what.htm 18/41

  19. American Renaissance and Transcendentalism 1840–1860 • Historical Context • Today in literature we still see portrayals of alluring antagonists whose evil characteristics appeal to one’s sense of awe • Today in literature we still see stories of the persecuted young girl forced apart from her true love • Today in literature we still read of people seeking the true beauty in life and in nature … a belief in true love and contentment 19/41

  20. American Renaissance and Transcendentalism 1840–1860 • Literary Examples • Poems and essays of Emerson & Thoreau • Thoreau's Walden • Aphorisms of Emerson and Thoreau • Nathaniel Hawthorne's The Scarlet Letter • Poe's "The Masque of the Red Death" and "The Black Cat" 20/41

  21. Realism 1855–1900 (Pre- and post Civil War period) • Genre and Style • Novels and short stories • Objective narrator • Does not tell reader how to interpret story • Dialogue includes voices from around the country 21/41

  22. Realism 1855–1900 (Pre- and post Civil War period) • Effect and Aspects • Social realism: aims to change a specific social problem • Aesthetic realism: art that insists on detailing the world as one sees it 22/41

  23. Realism 1855–1900 (Pre- and post Civil War period) • Historical Context • Civil War brings demand for a "truer" type of literature that does not idealize people or places 23/41

  24. Realism 1855–1900 (Pre- and post Civil War period) • Literary Examples • Writings of Twain, Bierce, Crane • The Narrative of the Life of Frederick Douglass • The Adventures of Huckleberry Finn (some say id the 1st modern novel) • Regional works like: The Awakening. Ethan Frome, and My Antonia (some say modern) 24/41

  25. The Moderns (Modernism)1900–1950 • Genre and Style • Novels • Plays • Poetry (a great resurgence after deaths of Whitman & Dickinson) • Highly experimental as writers seek a unique style • Use of interior monologue & stream of consciousness 25/41

  26. The Moderns (Modernism)1900–1950 • Effect and Aspects • In Pursuit of the American Dream-- • Admiration for America as the Land of Eden • Optimism • Importance of the Individual 26/41

  27. The Moderns (Modernism)1900–1950 • Historical Context • Writers reflect the ideas of Darwin (survival of the fittest) and Karl Marx (how money and class structure control a nation) • Overwhelming technological changes of the 20th Century • Rise of the youth culture • WWI and WWII • Harlem Renaissance (a period within Modernism) 27/41

  28. The Moderns (Modernism)1900–1950 • Literary Examples • Fitzgerald's The Great Gatsby • Poetry of Jeffers, Williams, Cummings, Frost, Eliot, Sandburg, Pound, Robinson, Stevens • Rand's Anthem • Short stories and novels of Steinbeck, Hemingway, Thurber, Welty, and Faulkner • Miller's The Death of a Salesman (some consider Postmodern) 28/41

  29. Harlem Renaissance1920s • Genre and Style • Allusions to African-American spirituals • Uses structure of blues songs in poetry (repetition) • Superficial stereotypes revealed to be complex characters 29/41

  30. Harlem Renaissance1920s • Effect and Aspects • Gave birth to "gospel music" • Blues and jazz transmitted across American via radio and phonographs 30/41

  31. Harlem Renaissance1920s • Historical Context • The Great Migration: African-American migration to Northern urban centers due to little work and Jim Crow laws in the South • African-Americans have more access to media and publishing outlets after they move north 31/41

  32. Harlem Renaissance1920s • Literary Examples • Essays & Poetry of W.E.B. DuBois • Poetry of McKay, Toomer, Cullen • Poetry, short stories and novels of Hurston and Hughes • Their Eyes Were Watching God • Hansberry's A Raisin in the Sun & Wright's Native Son (an outgrowth of Harlem Renaissance-- see below) 32/41

  33. Postmodernism1950 to Present(Note: Many critics extend this to present and merge with the Contemporary period) 33/41

  34. Postmodernism1950 to Present • Genre and Style • Mixing of fantasy with nonfiction; blurs lines of reality for reader • No heroes • Concern with individual in isolation • Social issues as writers align with feminist & ethnic groups • Usually humorless • Narratives • Metafiction • Present tense • Magic realism 34/41

  35. Postmodernism1950 to Present • Effect and Aspects • Erodes distinctions between classes of people • Insists that values are not permanent but only "local" or "historical" 35/41

  36. Postmodernism1950 to Present • Historical Context • Post-World War II prosperity • Media culture interprets values 36/41

  37. Postmodernism1950 to Present • Literary Examples • Mailer's The Naked and the Dead and The Executioner's Song • Feminist & Social Issue poets: Plath, Rich, Sexton, Levertov, Baraka, Cleaver, Morrison, Walker & Giovanni • Miller's The Death of a Salesman & The Crucible (some consider Modern) • Lawrence & Lee's Inherit the Wind • Capote's In Cold Blood • Stories & novels of Vonnegut • Salinger's Catcher in the Rye • Beat Poets: Kerouac, Burroughs, & Ginsberg • Kesey'sOne Flew Over the Cuckoo's Nest 37/41

  38. Contemporary1970s–Present(Continuation of Postmodernism) • Genre and Style • Narratives: both fiction and nonfiction • Anti-heroes • Concern with connections between people • Emotion-provoking • Humorous irony • Storytelling emphasized • Autobiographical essays 38/41

  39. Contemporary1970s–Present(Continuation of Postmodernism) • Effect and Aspects • Too soon to tell 39/41

  40. Contemporary1970s–Present(Continuation of Postmodernism) • Historical Context • People beginning a new century and a new millennium • Media culture interprets values • Third wave feminism: reversal of gender roles 40/41

  41. Contemporary1970s–Present(Continuation of Postmodernism) • Literary Examples • Poetry of Dove, Cisneros, Soto, Alexie • Writings of Angelou, Baldwin, Allende, Tan, Kingsolver, Kingston, Grisham, Crichton, Clancy • Walker's The Color Purple & Haley's Roots • Butler's Kindred • Guest's Ordinary People • Card's Ender's Game • O'Brien The Things They Carried • Frazier's Cold Mountain 41/41

More Related