1 / 16

Romanticism (1800-1900)

Romanticism (1800-1900). Philosophical Roots of Romantic Thought . Enlightenment Emphasis on the worth of the individual “I am not like anyone I have ever met; I even venture to believe that I am not made like anyone now alive.” – Rousseau (1765). Romantic Art.

taipa
Télécharger la présentation

Romanticism (1800-1900)

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Romanticism (1800-1900)

  2. Philosophical Roots of Romantic Thought • Enlightenment • Emphasis on the worth of the individual • “I am not like anyone I have ever met; I even venture to believe that I am not made like anyone now alive.” – Rousseau (1765)

  3. Romantic Art • Stresses the uniqueness of the individual • The Goal- emotional expression

  4. Themes in Romantic Art Love!

  5. Themes in Romantic ArtDeath Theodore Gericault, The Raft of the “Medusa” 1818

  6. Themes in Romantic ArtWar/patriotism Delacroix, Liberty Leading the People (1830)

  7. Themes in Romantic Art:Heroes Jacques-Louis David Napoleon Crossing the Great Saint Bernard Pass 1800

  8. Themes in Romantic ArtReligion and the supernatural Nightmare, Henry Fuseli

  9. Themes in Romantic ArtNature A Storm in the Rocky Mountains - Mount Rosa Bierstadt, 1866

  10. Albert Bierstadt Rocky Mountains, 'Lander's Peak', 1863

  11. Romanticism in music Romantic expressiveness relies on, frustrating, blurring, and overloading the Classic form and style. “Voice” behind the work

  12. Ludwig van Beethoven (1770-1827) • Period of Imitation (1792-1801) - Classical style • Heroic Period (1802-1814) • Begins to go deaf • Heiligenstadt Testament • Forward struggle in the face of adversity • Period of Reflection (1815-1827)

  13. Romantic expressiveness relies on frustration, blurring, and overloading of Classic form and style. Part 1 Part 2 Section 1 Section 2 Section 3 Section 4 P (T, t) S (K, k) “Fantasy” P (T, t) S (K, k) • • • • • • I V V Modulatory I I i III III Modulatory i i or i I I

  14. Franz Schubert (1797-1828)

  15. Schubert and Lieder • Composer and poet have = roles in determining the emotional experience of the song • Emotion through motion. Example: • “Erlkönig” (1815)

  16. Die schöne Müllerin, 1823 Song cycle- set of songs, often unified by a story line Romantic themes in Die schöne Müllerin: Love and lost love Nature Death

More Related