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Mastering Intermediate Strumming Techniques: Enhance Your Skills

Join our workshop designed for intermediate players looking to refine their strumming techniques. Explore various methods such as finger downstrumming, thumb downstrumming, and using a felt pick, along with advanced techniques like the three-finger grab and note-chording patterns. This workshop will cover practical applications in a group setting, ensuring that you develop the skills you need to play seamlessly with others. Learn to navigate challenging chord progressions and enhance your musicality while having fun!

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Mastering Intermediate Strumming Techniques: Enhance Your Skills

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Presentation Transcript

  1. Workshop: The Right Hand

  2. What’s an intermediate? Beginner Intermediate Expert

  3. What do you use? • Finger downstrum, all beats? • Thumb downstrum? • Felt pick down? • Felt pick down and up? • Fingernails down, thumbnail up? • Wrist swivel or all from the elbow? • T, 1, 2 on individual strings?

  4. Coverage Strum options Patterns Partials (note-chording)

  5. T, 1, and 2

  6. Three-finger grab • Pull out on all 4 beats • Thumb, then 3-grab for 3/4

  7. Three-Finger Grab C Where it began,F I can't begin to knowC G7 But then I know it's growing strong .

  8. C Was in the springF And spring became the summerC G7 Who'd have believed you'd come along

  9. C Am Hands, touchin' handsG7 F G7 Reachin' out, touchin' me touchin' you

  10. C F Sweet Caroline G7 Good times never seemed so goodC F I've been inclined G7 To believe they never would F C Oh now, Sweet Caroline

  11. Three learnable techniques The Grab Thumb, then grab The Pattern—or Roll

  12. A pattern: T-2-T-1, outside in T T 1 2 Picking pattern: T1T2

  13. A pattern: T-2-T-1, outside in T T 1 2 Prop your pinkie!

  14. Partials (note-chording) • You’re playing two notes of the chord • Simultaneously (a grab), or • Consecutively (a tickle) • Handy for running to next chord • Good for endings • In group play, decide who’s doing what to avoid clashing.

  15. Grab run (f to f) baritone (c to c) 1 2 3 2 3 2 3 2 Tickle it—good for endings

  16. grab run (C to F) baritone (g to c) 0 0 0 0 1 2 1 2 1 2 1 2 2 3 3 2

  17. grab run (F to C) baritone (c to g) 0 0 0 0 1 2 1 2 1 2 1 2 2 3 3 2

  18. grab run (G7 to C) 1 2 1 2 3 2 >C 3 2

  19. grab run (C to A7) baritone (g to e7) 1 1 2 1 2 1 2

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