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This work explores the pivotal role of Jesuit artistry in the conversion of kingdoms and territories. It draws connections between significant artists and theorists from the Renaissance, including Paolo Uccello and Leon Battista Alberti, who utilized perspective as a powerful tool in art and rhetoric. The depiction of Brunelleschi’s experiments in perspective and works like Raphael's "School of Athens" and Holbein's "The Ambassadors" illustrate how art elevated the status of artists and served as a scientific inquiry into the world. The book showcases the interplay between religious missions and artistic endeavors.
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The conversion of kingdoms and territories by the Jesuits (Regnorum & provinciarum per Societatemconversio)
Leon Battista Alberti, Della Pittura (On Painting) 1435 (Latin) / 1436 (Italian) -perspective as a tool to construct a proper ISTORIA -links perspectival painting to rhetoric and geometry -elevate the status of artists and the visual arts -both an intellectual and scientific basis for painting -perspective as a form of inquiry—evidence of the human ability to command knowledge of the world
Jean François Niceron, A chair in regular perspective, La Perspective Curieuse.Paris, 1651 Q=vanishing point R=distance point
Jean François Niceron, A chair in anamorphic perspective, La Perspective Curieuse.Paris, 1651.
Andrea Pozzo,Allegory of the Jesuits' Missionary Work, 1691-94Fresco. Sant'Ignazio, Rome