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Dive into a world of mystery, romance, and hidden truths as secrets unravel under the moonlight, changing lives forever. Through the intimate lens of first-person point of view, follow characters as they navigate love, loss, and unforeseen revelations that shape their destinies.
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Point of View First, Second, Third Omniscient and Third Limited
First Person POV • Use “I” or “We” • Story filtered through narrator • Details limited to what character can see, hear, touch, taste, smell, think, feel and know • “If only I had known that our lives would never be the same.” Foreshadow, not outside realm of narrators knowledge • Narrator cannot know unspoken thoughts/feelings, only guess • First person is intimate w/readers • Feel like charas, best friend, knows stuff chara wouldn’t tell anyone
Cont…. Challenges: • Cannot use language your character wouldn’t use • Cannot describe things your character wouldn’t notice • Hard to show rather than tell • Being trapped in POV can get tedious • Voice of narration consistent with character’s cultural, social, educational and regional background. • Voice should be unique not annoying, being mindful of cultural dialect political correctness issues • Careful word choice • Develop character through thought, and dialect • Thought must show appropriate reactions to situations around • SHOW don’t TELL • Remember Character needs to react physically as well as mentally
Genres • Young Adult(12 and up) • Shows how teens react and act differently • Short stories • Chick-lit and romance • Gothic genre
Styles and Variations • Detective Novels: First person through out, and third person doing other characters • Rashmon Effect: Named after a Japanese film showing the same event in the perspective of four different characters, each revealing something different • Sequential Multiple Viewpoints: Each chapter has a different characters POV and they rotate either chronologically or thematically • Be cautious to make EACH CHARACTER’s voice DIFFERENT • Story must flow in one direction • Separate Multiple Viewpoints: Each chap done in diff. POV seemingly unrelated, coming back together in the end • Room for subplots and ect.
3rd Person Pov • Use “she” “he” and “they” • Common in all genres but young adult • IMPORTANT: Consistency • Very flexible • Tell entire story through one character in third person • Two or more characters, and rotate perspectives
Omniscient Pov • Use third person pronouns • God-like-view • Can enter the heads of any character • Reveal future and past events • Challenges: • Character voices must be very distinct, so not to confuse readers • Can write a main story with my many small subplots that tie together in the end (writing different perspectives) • Weakness: Losing tensions • Like passing a camera around a party and each character gets time to shine for a bit
Limited omniscient • God-like, but one head at a time • Can switch characters as many times as necessary in a scene • Head hopping easier by physical contact, or physical presence of character jumping to (Within one scene)
2nd Person POV • Not used often • Considered annoying • Can come across as bossy and commanding • Not used in long fics • Can’t formally address a group of people
Sources • http://www.the-writers-craft.com/second-person-point-of-view.html