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CHOICES

CHOICES. “We are the sum total of all the choices we make.” -Woody Allen What Choices must you make? 1. To what degree do people judge you on the choices you make? 2.To what degree do you judge yourself based on the choices you make? 3. How are your values related to your choices?.

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CHOICES

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  1. CHOICES “We are the sum total of all the choices we make.” -Woody Allen What Choices must you make? • 1. To what degree do people judge you on the choices you make? • 2.To what degree do you judge yourself based on the choices you make? • 3. How are your values related to your choices?

  2. FAMILY FRIENDS FILIAL RESPONSIBILITY POLITICS LOVE MARRIAGE RELIGION CAREER 20TH CENTURY LITERATURE A Crisis in Values VALUE SYSTEM

  3. What are the most important issues of the last century? • What type of emotions/ideas would stem from these issues? • RELATION TO CHOICES AND HUMAN PLIGHT MODERNISM(1910-1960s) FAMILY FRIENDS FILIAL RESPONZ. POLITICS LOVE MARRIAGE RELIGION CAREER AN ARTISTIC, MUSICAL, AND LITERARY MOVEMENT IN THE 20TH CENTURY

  4. Rejection of nineteenth-century optimism, presented a profoundly pessimistic picture of a culture in disarray. This despair often results in an apparent apathy and moral relativism

  5. MODERN PAINTERS • PICASSO • MATISSE • KANDINSKY • DALI

  6. Picasso

  7. Matisse

  8. Kandinsky

  9. Dali

  10. Art and MentalityPICASSO’S CUBISM • FIRST PICTURE-Self Portrait 1899-1900 • SECOND PICTURE-Self Portrait, cubist period • Role of artist changes:

  11. Art for arts sake…

  12. MODERN AUTHORS • HEMINGWAY • FAULKNER • FITZGERALD • STEINBECK

  13. Faulkner Hemingway Fitzgerald steinbeck

  14. MODERN ARCHITECTS • WRIGHT • GROPIUS • LE CORBUSIER • VAN DER ROHE

  15. More rational and practical.

  16. MODERN ENTERTAINMENT MOVEMENT SILENT MOVIES- OFTEN FOCUSED ON THE DANGERS OF THE MODERN WORLD MAJOR ACTORS- CHARLIE CHAPLIN & BUSTER KEATON

  17. FORCES DRIVING MODERNISM • SEARCH FOR REASON IN AN UNREASONED WORLD • CONCERNED WITH INDUSTRIALIZATION AND THE DISPLACEMENT OF PERSONS • BOTHERED BY THE HYPOCRACY OF CHRISTIANITY

  18. MODERNISTS’ VIEW OF THE WORLD • THE WORLD IS CHAOS • THE WORLD IS UNSTABLE • LOSS OF FAITH • SEE A COLLAPSE OF MORALITY/VALUES

  19. MODERNISTBELIEFS • ALIENATION IS AN INCREASINGLY COMMON CONDITION • NO ABSOLUTE CERTAINTIES AND TRUTHS

  20. CHARACTERISTICS OF MODERNISM • LOSS OF FAITH IN THE AMERICAN DREAM • REJECTION OF ARTIFICIALITY “Isn’t it pretty to think so?” - Hemingway

  21. Mentality in Action CHECK YOURSELF • When was the modernist time period? • Who were the pervading/popular modernist authors?

  22. In this quote, it’s used as a noun…even though it’s actually a verb. We can assume, this was an intentional corruption of “ex-patriot.” Mentality in action:Hemingway How does this reflect modernist mentality? Note- In order to understand the significance of the quote you need to know the meaning of the word expatriate: (v.) to withdraw oneself from allegiance to one’s country. "You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed by sex. You spend all your time talking, not working. You are an expatriate, see. You hang around cafés."

  23. Mentality in Action:Steinbeck “Before I knowed it, I was sayin' out loud, 'The hell with it! There ain't no sin and there ain't no virtue. There's just stuff people do. It's all part of the same thing.' … I says, 'What's this call, this sperit?' An' I says, 'It's love. I love people so much I'm fit to bust, sometimes.‘… I figgered, 'Why do we got to hang it on God or Jesus? Maybe,' I figgered, 'maybe it's all men an' all women we love; maybe that's the Holy Sperit-the human sperit-the whole shebang. Maybe all men got one big soul ever'body's a part of.' Now I sat there thinkin' it, an' all of a suddent-I knew it. I knew it so deep down that it was true, and I still know it.”

  24. Mentality in Action:Fitzgerald • "He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips' touch she blossomed for him like a flower and the incarnation was complete." -The Great Gatsby • The passage records Jay Gatsby's ill-fated courtship of Daisy, a captivating yet selfish and amoral woman. After renewing their tragic romance years later, Daisy proves to be the unworthy receptacle of Gatsby's idyllic dream and subsequently serves as the agent of his death.

  25. Faulkner One-Liners • A mule will labor ten years willingly and patiently for you, for the privilege of kicking you once. • Facts and truth really don't have much to do with each other. • Given the choice between the experience of pain and nothing, I would choose pain. • Clocks slay time... time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life.

  26. MODERN LITERARY MOVEMENT • Major forms are poetry and fiction • Stylistic innovations - disruption of traditional syntax and form. • Intention is often to challenge the way readers see the world • Time fades and dissolves regarding characters mindset

  27. WRITING STYLE • Imagery and symbolism- frequent • Colloquial language • Literature as art- form, style, and technique are important • Often includes much dialogue • Stream-of-consciousness;interior dialogue

  28. STREAM OF CONSCIOUSNESS • Narration is structured by narrator's or character's flow of consciousness and memory • Associative (rather than conventional "linear") • Often employs flashback and flash forward techniques

  29. MODERN HERO IN LITERATURE • Rejection of the ideal hero • Hero in modern story will be flawed and disillusioned • EX: • JAY GATSBY-THE GREAT GATSBY • GEORGE MILTON-OF MICE AND MEN

  30. New hero: ironic, frustrating, disappointing, self-doubting, anxious

  31. CHARACTERIZATION IN MODERN LITERATURE • INTEREST IN THE INNER WORKINGS OF THE HUMAN MIND/ INTENSELY PSYCHOLOGICAL CHARACTERIZATION (Freud and Jung) • READER LEARNS ABOUT CHARACTERS PRIMARILY THROUGH DIALOGUE

  32. PLOTS AND MODERN LITERATURE EXPLORES: • SENSE OF ISOLATION, UNCERTAINTY, DISILLUSIONMENT. DISJOINTEDNESS, AND MEANINGLESSNESS THAT CHARACTERIZE MODERN LIFE

  33. MODERN LITERATURE FORMS • LITERATURE OFTEN LACKED EXPOSITIONS, RESOLUTIONS,AND TRANSITIONS

  34. Critique of traditional values of our culture Loss of meaning and hope in the world Alienation from society and loneliness 5. Violence and Alienation 6. Decadences and Decay 7. Loss and Despair THEMES IN MODERN LITERATURE

  35. READERS ROLE OLD READERS • His role is passive: • HE IS: • Taught • Entertained • Emotionally involved MODERNIST READERS • The reader has an active role • must give his own subjective interpretation

  36. Quiz • When did Modernism take place? • Name two Modernist authors. • What is Modern art characterized by? • What is the Modernist mentality characterized by? • Name two Modernist writing characteristics.

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