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Interactive Drama

This exploration delves into the history and evolution of interactive drama within the context of artificial intelligence, tracing significant milestones from the 1954 Georgetown Experiment to the challenges faced by DARPA in the 1970s. It examines key concepts such as narrative construction, believable agents, and the integration of dramatic theory into AI systems. The discussion engages with the potential applications of AI-driven interactive drama in gaming and beyond, questioning the viability and efficiency of creating participatory experiences that resonate with audiences.

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Interactive Drama

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  1. Seth Horrigan CS260 – Spring 2009 Interactive Drama

  2. Artificial Intelligence • Georgetown Experiment – 1954

  3. Artificial Intelligence • 1966: the failure of machine translation • 1970: the abandonment of connectionism • 1971−75: DARPA's frustration with the Speech Understanding Research program at Carnegie Mellon University • 1973: the large decrease in AI research in the United Kingdom in response to the Lighthill Report • 1973−74: DARPA's cutbacks to academic AI research in general • 1987: the collapse of the Lisp machine market • 1988: the cancellation of new spending on AI by the Strategic Computing Initiative

  4. Artificial Intelligence • Limited domains • Tightly scripted responses

  5. Narrative

  6. Narrative

  7. Narrative Intelligence • Art, psychology, cultural studies, literary studies, drama • Aristotelian dramatic theory: spectacle, song, diction, thought, character and plot • Narrative agents, interactive agents, storytelling systems

  8. Games

  9. Interactive Drama

  10. Interactive Drama • Theatre • Films • Participatory art

  11. Drama and narrative • Drama = Character + Story + Presentation • Drama(narrative) • Interactive drama(develop narrative)

  12. Believable agents • Personality, emotion, self-motivation, change, social relationships, illusion of life • Classical AI = mind, behavorial AI = person

  13. Agents • Embodied? • Environmentally influenced • Complex • Visual?

  14. Visual focus

  15. Scripting • Conversational agents • Branching

  16. Façade

  17. Discussion • In MMOs, especially MMORPGs, many individual participants create an interactive drama. Given such environments, is there a place for AI-driven interactive drama? • Given how long it takes to author such a short game, is it worthwhile? • Can you think of ways to reduce authoring time? • Attempts at choose-your-own path movies have been unsuccessful. Could interactive drama of this type be used to somehow make something better? • How would interactive drama work with non-self-absorbed characters? • Where, aside from games, could these ideas be applied?

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