1 / 11

Chapter 21: Romantic Music: Program Music, Ballet, and Musical Nationalism

Chapter 21: Romantic Music: Program Music, Ballet, and Musical Nationalism. Program Music. Program Music On the other end of the spectrum Absolute Music :. Hector Berlioz (1803-1869) and the Program Symphony. Born near Grenoble, France Composer and music critic Skilled in orchestration

vivek
Télécharger la présentation

Chapter 21: Romantic Music: Program Music, Ballet, and Musical Nationalism

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Chapter 21:Romantic Music: Program Music, Ballet,and Musical Nationalism

  2. Program Music • Program Music • On the other end of the spectrum • Absolute Music:

  3. Hector Berlioz (1803-1869) and the Program Symphony • Born near Grenoble, France • Composer and music critic • Skilled in orchestration • Influenced by literature, especially Shakespeare

  4. Symphonie fantastique (1830) • The first complete program symphony • Berlioz wrote the program based on his love affair with Harriet Smithson • Five movements: I. Reveries, Passion II. A Ball III. Scene in the Country IV. March to the Scaffold V. Dream of a Witches’ Sabbath • Unifying theme: idée fixe (fixed idea)

  5. IV. March to the Scaffold • Re-creates the sounds of the French military bands he heard as a child • Rousing march tempo • Exceptionally heavy low brass • Use of the ophicleide (tuba)

  6. V. Dream of a Witches’ Sabbath • Berlioz creates his personal vision of hell • Parody of the idée fixe • Dies Irae chant – burial hymn of the medieval church

  7. Tchaikovsky’s Ballets • Ballet • Swan Lake (1876), Sleeping Beauty (1889), The Nutcracker (1892) • “Dance of the Reed Pipes” from The Nutcracker • Ternary form • Evokes the sound of shepherds playing pan-pipes • Clear meter

  8. Music and Nationalism • Arose from the political upheaval of the 19th-century • National anthems, native dances, protest songs, victory symphonies • Use of indigenous musical elements • Folksongs, Scales, Dance rhythms, Local instrumental sounds, Programs based on national subjects

  9. Russian Nationalism: • Russia was one of the first countries to develop its own national style of art music, distinct and separate from the traditions of German orchestral music and Italian opera • Modest Mussorgsky, “Pictures at an Exhibition” • Rimsky Korsakov, “Night on Bald Mountain”

  10. Pictures at an Exhibition (1874) • Originally for piano; orchestrated by Maurice Ravel in 1922 • Each movement depicts a different drawing or painting by Victor Hartmann (1833-1873) • Promenade: Opens the work and serves as transition between movements

  11. Polish Ox-cart: Creates a sense of time and movement • Two-note ostinato • Crescendo and decrescendo as the cart approaches and slowly disappears • Begins and ends with the lowest sounds; orchestrated with tuba and double basses • The Great Gate of Kiev: Impression of a parade passing through a great arch • Rondo form: ABABCA • Use of different musical styles in each section

More Related